Soupière dont la forme tient du Moderne avec son Plat et Cuillère

About this artwork

Research in Progress

Art Historical Context

In the late 18th century, designer Richard de Lalonde the elegance of contemporary tableware in his print *Soupière dont la tient du Moderne avec Plat et Cuillère* (ca. 1788–1796). This delicate etching depicts a soup tureen, its matching plate, and spoon, showcasing a "modern" form that bridged Rococo exuberance and emerging Neoclassicism. Lalonde, active from 1780 to 1796, specialized in ornamental prints that served as models for silversmiths, porcelain makers, and cabinetmakers, disseminating sophisticated designs across Europe. Created during the turbulent years leading to the French Revolution, the artwork reflects a taste for refined luxury amid social change. The "moderne" style hints at simplified, geometric lines inspired by ancient motifs, signaling a shift toward the Directoire and Empire aesthetics that followed. As a print medium, it highlights the era's innovative reproductive techniques—likely etching or engraving—which allowed precise details like handles and finials to inspire high-end craftsmanship. Today, housed in the Smithsonian American Art Museum's collection (purchased by the Advisory Council), this piece offers a window into 18th-century decorative arts. Though research continues, it exemplifies how prints democratized elite design, blending functionality with artistic aspiration for discerning diners.