The Education (L'Education): in a forest, to right an old satyr instructor holding a wand, teaching a group of children, to the left a merchant of orvietan trying to attract spectators with his act, from 'The lives of satyrs' (La vie des satyres)
ca. 1700–1720
Medium
Etching
Dimensions
sheet: 10 5/16 x 13 9/16 in. (26.2 x 34.5 cm) plate: 10 1/4 x 13 3/8 in. (26 x 34 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Bequest of Phyllis Massar, 2011
Accession Number
2012.136.373.4
Rights
Public Domain
Tags
Art Historical Context
Step into the whimsical world of early 18th-century French with *The Education (L'E)*, an etching from Claude Gillot's series * Lives of Satyrs (La vie des saty)*, printed around 1700–1720. In this lively forest scene, an elderly satyr instructor brandishes a wand on the right, schooling a cluster of wide-eyed young satyrs—mythical half-human, half-goat creatures symbolizing untamed nature and folly. To the left, a flamboyant merchant hawks "orvietan," a dubious cure-all elixir, drawing in curious onlookers with his theatrical antics. This playful contrast pits earnest learning against streetwise deception, poking fun at human (and satyric) vices. Claude Gillot, a pioneering Rococo artist and engraver famed for his scenes of fairs, commedia dell'arte, and mythological grotesques, designed this work, with Jean Audran executing the precise etching technique. Etching allowed for intricate lines and tonal depth on a copper plate, making detailed prints like this one—measuring about 10 x 13 inches—affordable for collectors. Gillot's influence extended to Antoine Watteau, bridging Baroque exuberance with lighter Rococo elegance. As part of a satirical series, *The Education* reflects France's cultural fascination with fables and moral tales during Louis XIV's waning years, blending classical mythology with everyday charlatanism. Donated to the Metropolitan Museum of Art in 2011, it invites visitors to chuckle at timeless lessons on wisdom versus trickery.
About the Artist
Claude Gillot|Jean Audran · 1673–1722
Artist known for his elegant designs done in the Rococo manner of Audran; also for his predilection for scenes from the 'comedia dell'arte.' Few paintings survive; his work is known mainly through drawings and etchings. Comment on works: Genre; History