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The Fight with the Nemean Lion, from The Labors of Hercules

The Fight with the Nemean Lion, from The Labors of Hercules by Heinrich Aldegrever

Medium

Engraving

Dimensions

Sheet: 4 3/16 × 2 3/4 in. (10.7 × 7 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Felix M. Warburg and his family, 1941

Accession Number

41.1.112

Rights

Public Domain

Tags

LionsHercules

Art Historical Context

Behold *The Fight with the Nemean Lion*, a dynamic engraving by Heinrich Aldegrever from his series *The Labors of Hercules*, created in 1550. This tiny yet powerful print (just 4 3/16 × 2 3/4 inches) captures the mythological hero Hercules in his first labor: wrestling the fearsome Nemean Lion, whose impenetrable hide made it invincible to weapons. Aldegrever masterfully depicts the intense struggle, with Hercules' muscular form locked in combat against the snarling beast, evoking the raw heroism of classical antiquity. As one of the "Little Masters" of the Northern Renaissance, Aldegrever was renowned for his intricate engravings on a miniature scale. Working in Germany during the 16th century, he excelled in the burin technique, using fine lines to convey texture, movement, and drama—lion's fur ripples with tension, and Hercules' determination shines through. Prints like this were revolutionary, making high art accessible and reproducible for collectors across Europe. Housed in the Metropolitan Museum of Art's Drawings and Prints department (gift of Felix M. Warburg and family, 1941), this work reflects the era's fascination with Hercules as a symbol of strength and virtue. It invites us to marvel at how a small copper plate could immortalize epic tales, bridging ancient myths with Renaissance ingenuity.

About the Artist

Heinrich Aldegrever · 15021561

Heinrich Aldegrever, born in 1502 in Paderborn, Westphalia, to parents Herman and Katherine Trippenmeker—a family of clog-makers known by the dialect name Trippenmecker—emerged as a multifaceted artist in the German Renaissance. His early training remains undocumented, though he likely apprenticed in a Soest goldsmith's workshop after relocating there around 1525, where he joined the painters' gui...

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