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"The Murder of Iraj," Folio from a Shahnama (Book of Kings) of Firdausi

Abu'l Qasim Firdausi

late 15th century

"The Murder of Iraj," Folio from a Shahnama (Book of Kings) of Firdausi by Abu'l Qasim Firdausi

Medium

Ink, watercolor, and gold on paper

Classification

Codices

Department

Islamic Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Bequest of Carolyn Kane, 2015

Accession Number

2015.796.48

Rights

Public Domain

Tags

PoetryMenDeath

Art Historical Context

Step into the dramatic world of Persian epic poetry with *The Murder of Iraj*, stunning folio from a late 15th-century *Shahnama* (Book of Kings) by the legendary poet Abu'l Q Firdausi. This illuminated page captures a pivotal moment from Iran's national epic: the tragic assassination of Iraj, the youngest son of King Feridun, by his jealous brothers Tur and Salm. Composed around 1010 CE, Firdausi's *Shahnama* weaves mythology, history, and moral lessons into over 50,000 verses, celebrating Persian identity amid cultural shifts under Islamic rule. Rendered in ink, watercolor, and gold on paper—a hallmark of Persian miniature painting—this folio exemplifies Timurid-era artistry from the Islamic world. Delicate lines delineate dynamic figures in flowing robes, poised in a tense confrontation amid architectural motifs and lush landscapes. The lavish use of gold illuminates the scene, symbolizing divine light and royal splendor, while vibrant colors heighten the emotional intensity of betrayal and death. Housed in the Metropolitan Museum of Art's Islamic Art Department (Bequest of Carolyn Kane, 2015), this codex leaf reflects the *Shahnama*'s enduring cultural power. Manuscripts like this were prized treasures for elite patrons, blending poetry and painting to preserve pre-Islamic Iranian heritage for generations. A poignant reminder of fratricide's consequences, it invites us to ponder timeless themes of power and loyalty.

About the Artist

Abu'l Qasim Firdausi · 9351020

Abu'l Qasim Firdausi, born around 940 in the village of Paj near Tus in Khorasan (modern-day Iran), emerged from a family of landed gentry known as dehqans, who preserved ancient Iranian oral traditions amid the cultural renaissance of the Samanid Empire. Little is documented about his early life or formal training, though he likely received a basic education including Arabic literacy, immersing h...

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