Artheon MuseumArtheonMuseum

The Porto di Lido, with the Fortezza Sant'Andrea on the Left

Giacomo Guardi

ca. 1804–28

The Porto di Lido, with the Fortezza Sant'Andrea on the Left by Giacomo Guardi

Medium

Pen and brown ink, gray wash

Dimensions

4 13/16 x 8 3/8 in. (12.3 x 21.2 cm)

Classification

Drawings

Department

Robert Lehman Collection

Museum

Metropolitan Museum of Art, New York, NY

Credit

Robert Lehman Collection, 1975

Accession Number

1975.1.351

Rights

Public Domain

Tags

ShipsBoats

Art Historical Context

Giacomo Guardi, son of the renowned Venetian vedutista Francesco, captures the bustling Porto di Lido in this delicate drawing from around 1804–28. The Lido inlet, Venice's vital gateway to the Adriatic Sea features prominently, with the imposing Fortezza Sant'Andrea—a 16th-century Venetian stronghold—rising on the left. Ships and boats dot the waterway, evoking the lagoon city's enduring maritime pulse during a time of political flux after Napoleon's conquest of Venice in 1797. Executed in pen and brown ink with gray wash on a modest 4 13/16 x 8 3/8-inch sheet, this work exemplifies the Guardi family's mastery of atmospheric landscape sketches. The fluid ink lines and subtle gray tones create depth and luminosity, hallmarks of Venetian vedute tradition, where rapid washes mimic the play of light on water. Such preparatory drawings were prized for their immediacy, bridging studio paintings and on-site observation. Housed in the Robert Lehman Collection at The Metropolitan Museum of Art, this piece offers a window into early 19th-century Venice—its defenses, commerce, and shimmering seascape—reminding visitors of the Guardi legacy in preserving the Serenissima's evocative beauty.

About the Artist

Giacomo Guardi · 17641835

Giacomo Guardi (1764–1835) was a Venetian painter who worked in the long shadow of his celebrated father, Francesco Guardi, one of the greatest vedutisti — view painters — of the eighteenth century. Born into one of Venice's most prominent artistic families, Giacomo received his training directly from his father, absorbing both the technical methods and the characteristic style that had made Franc...

    Send Feedback

    We use this only to reply to your feedback.