Three Mile Harbor Easthampton, L.I.
ca. 1880-1890
Medium
Graphic Arts-Print
Classification
Graphic Arts-Print
Department
Smithsonian Collection
Museum
Smithsonian American Art Museum
Credit
Smithsonian American Art Museum, Transfer from the National Museum of American History, Division of Graphic Arts, Smithsonian Institution
Accession Number
1973.122.74
Rights
Public Domain
Tags
Art Historical Context
**Three Mile Harbor, Easthampton, L.I.** *ca. 1880-1890, Graphic Arts-Print by Thomas Moran* Thomas Moran, a master of American landscape art and a leading figure in the Hudson River School, captures the serene beauty of Long Island's Three Mile Harbor in this evocative print. Created around 1880-1890, during a period when Moran frequently summered in East Hampton, the work reflects his deep affinity for the Northeast's coastal landscapes. Known for his luminous, romantic depictions of nature—often inspired by dramatic Western vistas like Yellowstone—this print shifts focus to the tranquil waters and shores of Easthampton (now East Hampton), Long Island, showcasing everyday American scenery with poetic precision. As a graphic arts print, likely an etching or similar reproductive medium, the piece highlights Moran's skill in translating painterly effects into intricate lines and tones. Prints like this made his art accessible beyond oil paintings, disseminating visions of America's natural splendor to a wider audience during the Gilded Age. Housed in the Smithsonian American Art Museum, it exemplifies the era's growing appreciation for regional landscapes amid rapid industrialization, inviting viewers to savor the quiet majesty of Three Mile Harbor's timeless allure.
About the Artist
Thomas Moran · 1837–1926
Thomas Moran (1837–1926) was an American painter and printmaker of the Hudson River School whose dramatic paintings of the American West played a pivotal role in the creation of the national parks. Born in Bolton, Lancashire, England, he emigrated with his family to Philadelphia as a child. He was largely self-taught, though he apprenticed briefly with a wood engraver and studied the work of J.M.W...