Three Stages of the Passion: The Mockery, Christ before Pilate, Flagellation

About this artwork

Research in Progress

Art Historical Context

Francesco Coghetti (1804–1875), a prominent Italian painter active in Rome, created *Three Stages of the Passion: The Mockery, Christ Pilate, Flagellation* around 1848. This work captures pivotal moments from the Passion of Christ— the mocking of Jesus by Roman soldiers, his trial before Pontius Pilate, and the brutal flagellation—depicting intense human drama and suffering. Coghetti, trained in the neoclassical tradition but embracing Romantic expressiveness, often explored religious and historical themes, infusing his figures with emotional depth and dynamic composition. Produced amid the turbulent Revolutions of 1848 across Europe, including Italy's push for unification, the artwork reflects timeless Christian iconography while echoing contemporary fervor for dramatic, narrative art. As a trio of scenes, it likely served devotional or meditative purposes, common in 19th-century Catholic Europe, emphasizing Christ's humanity and sacrifice. Acquired by the Smithsonian American Art Museum through donor gifts, this piece stands out in an American collection, highlighting cross-Atlantic exchanges of religious art. Though details like medium remain under research, its classification as "figures" suggests a focus on expressive human forms, inviting visitors to ponder the universal themes of injustice and endurance.