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"Timur before Battle", Folio from a Dispersed Copy of the Zafarnama (Book of Victories) of Sharaf al-din 'Ali Yazdi

"Timur before Battle", Folio from a Dispersed Copy of the Zafarnama (Book of Victories) of Sharaf al-din 'Ali Yazdi by Sharaf al-din 'Ali Yazdi|Ya'qub ibn Hasan, known as Siraj al-Husaini

Medium

Ink, opaque watercolor, silver, and gold on paper

Dimensions

H. 11 1/2 in. (29.2 cm) W. 8 in. (20.3 cm)

Classification

Codices

Department

Islamic Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Rogers Fund, 1955

Accession Number

55.121.16

Rights

Public Domain

Tags

SoldiersMenHorses

Art Historical Context

Behold the striking folio *Timur before Battle*, a jewel from a dispersed 1436 copy of the *Zafarnama* (Book of Victories), authored the Persian historian Sharaf al-Din 'Ali Yazdi. Illustrated by Ya'qub ibn Hasan, known asaj al-Husaini, this page captures the mighty conqueror Timur—better known as Tamerlane—poised for war amid his soldiers and steeds. Measuring 11½ by 8 inches, it's a masterful example of Timurid manuscript art from the Metropolitan Museum of Art Islamic Art collection. The *Zafarnama* chronicles Timur's epic campaigns across Asia in the late 14th and early 15th centuries, glorifying his triumphs while subtly critiquing his brutality. Commissioned during the reign of Timur's grandson Ulugh Beg, this lavish edition reflects the cultural zenith of the Timurid court in Herat, where history and heroism intertwined to legitimize dynastic power. Such folios brought these tales vividly to life for elite patrons. Crafted with ink outlines, vibrant opaque watercolors, and shimmering silver and gold on paper, the artwork exemplifies Persian miniature techniques: intricate details of armored men, rearing horses, and dynamic compositions that convey tension and grandeur. These illuminated codices were treasures of Islamic scholarship and storytelling, blending historical record with artistic splendor.

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