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Turreted Peaks in Yellowstone Canyon

Turreted Peaks in Yellowstone Canyon by Thomas Moran

Medium

Drawing

Classification

Drawing

Department

Smithsonian Collection

Museum

Smithsonian American Art Museum

Credit

Smithsonian American Art Museum, Gift of Dr. William Henry Holmes

Accession Number

1947.13.32

Rights

Public Domain

Tags

WyomingYellowstone CanyonRocky MountainsYellowstone National Park

Art Historical Context

Thomas Moran's *Turreted Peaks in Yellowstone* (1892) captures the dramatic grandeur of Yellowstone National Park's rugged landscapes in Wyoming. This intricate drawing showcases the towering, fortress-like peaks of the canyon within the Rocky Mountains, rendered Moran's signature precision. As a pioneering American landscape artist associated with the Hudson River School Moran was renowned for his vivid depictions of the American West, which played a pivotal role in promoting parks. Created over two decades after Moran's influential 1871 expedition with the Hayden Geological Survey—whose sketches helped convince Congress to establish Yellowstone as the world's first national park—this work reflects his enduring fascination with the region's sublime geology. The drawing, gifted to the Smithsonian American Art Museum by Dr. William Henry Holmes (a fellow expedition artist and geologist), exemplifies Moran's masterful use of line and shading to convey depth, light, and atmospheric haze, techniques honed in his on-site sketches. Housed in the Smithsonian's collection, *Turreted Peaks* invites visitors to appreciate not just artistic beauty, but the cultural legacy of art as advocacy for wilderness preservation. Moran's vision continues to inspire awe, bridging 19th-century exploration with modern environmental consciousness.

About the Artist

Thomas Moran · 18371926

Thomas Moran (1837–1926) was an American painter and printmaker of the Hudson River School whose dramatic paintings of the American West played a pivotal role in the creation of the national parks. Born in Bolton, Lancashire, England, he emigrated with his family to Philadelphia as a child. He was largely self-taught, though he apprenticed briefly with a wood engraver and studied the work of J.M.W...

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