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うし和歌春|Two Women, from the series Spring Poems on Ushiwaka for the Year of the Ox (Ushiwaka haru)

うし和歌春|Two Women, from the series Spring Poems on Ushiwaka for the Year of the Ox (Ushiwaka haru) by Hishikawa Sōri

Medium

Woodblock print (surimono); ink and color on paper

Dimensions

5 5/16 x 6 11/16 in. (13.5 x 17 cm) (trimmed)

Classification

Prints

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Henry L. Phillips Collection, Bequest of Henry L. Phillips, 1939

Accession Number

JP3002

Rights

Public Domain

Tags

WomenTrees

Art Historical Context

Hishikawa Sōri's *Two Women, from the series Spring Poems on Ushiw for the Year of the Ox (Ushiwaka haru)* (1805) is a delicate woodblock print, or *surimono*, crafted during Japan's Edo period (1615–1868). Measuring just 5 5/16 x 6 11/16 inches, this intimate format was typical of *surimono*—privately commissioned prints often exchanged as New Year's greetings among poetry enthusiasts. Printed with vibrant inks and colors on paper, it captures two elegant women amid trees, evoking the serene beauty of spring in a style rooted in ukiyo-e traditions. The artwork belongs to a thematic series blending poetry and the Chinese zodiac, marking 1805 as the Year of the Ox (*ushi*). "Ushiwaka" refers to the youthful persona of the legendary warrior Minamoto no Yoshitsune, whose tales inspired playful, poetic interpretations. Sōri, a master of *surimono*, employed fine woodblock techniques for subtle gradations and metallic accents (implied in the luxurious production), making each print a collector's gem. Now in the Metropolitan Museum of Art's Asian Art collection, it highlights Edo Japan's vibrant print culture, where art, literature, and seasonal rituals intertwined to celebrate fleeting beauty.

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