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View of St.-Jean-de-Mont, Vendee (Vue de St.-Jean-de-Mont, Vendee)

View of St.-Jean-de-Mont, Vendee (Vue de St.-Jean-de-Mont, Vendee) by Auguste Lepère

Medium

etching and aquatint

Classification

Print

Department

CG-E

Museum

National Gallery of Art, Washington, D.C.

Credit

Rosenwald Collection

Accession Number

1943.3.5586

Rights

Public Domain

Art Historical Context

Auguste Lepère's *View of St.-Jean-Mont, Vendée* (1892) the serene beauty of rural France in the Vendée region, a coastal area known for its rugged landscapes and historic villages. As a master French printmaker, Lepère1849–1918) often depicted everyday scenes with a keen eye for light and atmosphere, bridging Realism and the emerging influences of Impressionism. This etching offers visitors a glimpse into late 19th-century provincial, evoking the tranquility of a bygone era amid France's Belle Époque. Crafted in etching and aquatint, the work showcases Lepère's technical prowess. Etching involves incising lines into a metal plate with acid for precise details, while aquatint adds rich tonal gradations, mimicking watercolor washes to convey depth and texture in the rolling hills and distant sea. This combination allowed Lepère to achieve subtle luminosity and atmospheric effects, making prints like this accessible yet sophisticated alternatives to paintings. Part of the National Gallery of Art's Rosenwald Collection—a renowned assemblage of prints gifted by collector Lessing J. Rosenwald—this piece highlights the medium's democratic appeal in the 1890s, when fine art prints flourished. Stroll through our virtual galleries and let Lepère transport you to St.-Jean-de-Mont's timeless charm!

About the Artist

Auguste Lepère · 18491918

Auguste-Louis Lepère (1849–1918), son of the sculptor François Lepère, was born in Paris on November 30, 1849, into an artistic family that shaped his early path. At age thirteen, he apprenticed in the Paris studio of the English wood engraver Joseph Burn Smeeton, honing his skills in wood engraving until 1867. He furthered his training with drawing classes under Horace Lecoq de Boisbaudran at the...

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