Artheon MuseumArtheonMuseum

Watching The Crows, from Our Young Folks, June 1868

Watching The Crows, from Our Young Folks, June 1868 by Winslow Homer

Medium

Graphic Arts-Print

Classification

Graphic Arts-Print

Department

Smithsonian Collection

Museum

Smithsonian American Art Museum

Credit

Smithsonian American Art Museum, The Ray Austrian Collection, gift of Beatrice L. Austrian, Caryl A. Austrian and James A. Austrian

Accession Number

1996.63.189

Rights

Public Domain

Tags

crowhatfull lengthLandscape

Art Historical Context

**Watching the Crows** is a captivating 1868 wood engraving by Winslow Homer, featured in the June issue of *Our Young*, a popular 19th-century children's magazine This graphic arts print depicts a full-length figure—likely a young boy in a wide-brimmed hat—standing in a vast landscape, intently observing a flock of crows wheeling overhead. Homer, master of American realism, captures the quiet drama of rural life with precise lines and subtle shading, drawing viewers into the timeless rhythm of nature. Created in the post-Civil War era, the artwork reflects Homer's shift from wartime illustrations for *Harper's Weekly* to idyllic scenes of American countryside innocence. As a print medium, it made high-quality art accessible to middle-class families, especially young readers, emphasizing themes of curiosity and harmony with the natural world. Crows, often symbols of rural folklore, add a layer of intrigue, evoking vigilance and the changing seasons. Homer's technique showcases his skill in wood engraving, where intricate details in the figure's posture and the expansive sky convey solitude and wonder. Part of the Smithsonian American Art Museum's Ray Austrian Collection, this piece highlights Homer's early genius in blending observation with storytelling, inviting museum visitors to ponder the simple joys of 19th-century youth.

About the Artist

Winslow Homer · 18361910

Winslow Homer (1836-1910) was one of America's greatest painters and a preeminent figure in 19th-century American art. Largely self-taught, Homer began his career as a commercial illustrator and Civil War correspondent for Harper's Weekly before becoming renowned for his powerful marine subjects and landscape paintings. His mastery of both oil and watercolor, combined with his uncompromising reali...

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