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Photography and Media — Page 31

3,769 artworks · Art Institute of Chicago

Cover and Text from "The Pencil of Nature," London, 1844 by William Henry Fox Talbot

Cover and Text from "The Pencil of Nature," London, 1844

William Henry Fox Talbot, 1844

Branch of a Fern by William Henry Fox Talbot

Branch of a Fern

William Henry Fox Talbot, c. 1853/58

Untitled by William Henry Fox Talbot

Untitled

William Henry Fox Talbot, May 1864

Alcazar de Seville by William Henry Fox Talbot

Alcazar de Seville

William Henry Fox Talbot, c. 1853/58

St. Etienne du Mont, Facade by William Henry Fox Talbot

St. Etienne du Mont, Facade

William Henry Fox Talbot, c. 1853/58

Furness Abbey by William Henry Fox Talbot

Furness Abbey

William Henry Fox Talbot, c.1853/58

Hagar in the Desert by William Henry Fox Talbot

Hagar in the Desert

William Henry Fox Talbot, c. 1840/44

San Francisco Bay by Carleton Watkins

San Francisco Bay

Carleton Watkins, c. 1860/69

Beauty is Truth, Truth Beauty, No. 1 from the portfolio "American Pictorial Photography, Series I" (1899); edition 146/150 by F. Holland Day

Beauty is Truth, Truth Beauty, No. 1 from the portfolio "American Pictorial Photography, Series I" (1899); edition 146/150

F. Holland Day, 1896/97

Weeping Magdalen, No. 5 from the portfolio "American Pictorial Photography, Series I" (1899); edition 146/150 by Charles I. Berg

Weeping Magdalen, No. 5 from the portfolio "American Pictorial Photography, Series I" (1899); edition 146/150

Charles I. Berg, c. 1897

Wet Night, Columbus Circle, New York, No. 11 from the portfolio "American Pictorial Photography, Series I" (1899) by William A. Fraser

Wet Night, Columbus Circle, New York, No. 11 from the portfolio "American Pictorial Photography, Series I" (1899)

William A. Fraser, c. 1897

Ebony and Ivory, No. 8 from the portfolio "American Pictorial Photography, Series I" (1899); edition 146/150 by F. Holland Day

Ebony and Ivory, No. 8 from the portfolio "American Pictorial Photography, Series I" (1899); edition 146/150

F. Holland Day, 1897

A Sketch, No. 7 from the portfolio "American Pictorial Photography, Series I" (1899) by Joseph T. Keiley

A Sketch, No. 7 from the portfolio "American Pictorial Photography, Series I" (1899)

Joseph T. Keiley, c. 1897

Beatrice, No. 14 from the portfolio "American Pictorial Photography, Series I" (1899) by Mathilde Weil

Beatrice, No. 14 from the portfolio "American Pictorial Photography, Series I" (1899)

Mathilde Weil, c. 1897

La Cigale, No. 3 from the portfolio "American Pictorial Photography, Series II” (1901); edition 34/150 by Frank Eugene

La Cigale, No. 3 from the portfolio "American Pictorial Photography, Series II” (1901); edition 34/150

Frank Eugene, 1898

Clarionet Player, No. 13 from the portfolio "American Pictorial Photography, Series I" (1899) by John E. Dumont

Clarionet Player, No. 13 from the portfolio "American Pictorial Photography, Series I" (1899)

John E. Dumont, c. 1897

The Dance, No. 7 from the portfolio "American Pictorial Photography, Series II” (1901); edition 34/150 by Rudolf Eickemeyer, Jr.

The Dance, No. 7 from the portfolio "American Pictorial Photography, Series II” (1901); edition 34/150

Rudolf Eickemeyer, Jr., 1899

Coquette, No. 13 from the portfolio "American Pictorial Photography, Series II” (1901); edition 34/150 by Charles I. Berg

Coquette, No. 13 from the portfolio "American Pictorial Photography, Series II” (1901); edition 34/150

Charles I. Berg, 1898

Shylock-A Sketch, No. 9 from the portfolio "American Pictorial Photography, Series II” (1901) by Joseph T. Keiley

Shylock-A Sketch, No. 9 from the portfolio "American Pictorial Photography, Series II” (1901)

Joseph T. Keiley, c. 1899

Miss M. of Washington, No. 17 from the portfolio "American Pictorial Photography, Series II” (1901); edition 34/150 by Rose Clark

Miss M. of Washington, No. 17 from the portfolio "American Pictorial Photography, Series II” (1901); edition 34/150

Rose Clark, 1899

A Study, No. 16 from the portfolio "American Pictorial Photography, Series II” (1901) by J. Wells Champney

A Study, No. 16 from the portfolio "American Pictorial Photography, Series II” (1901)

J. Wells Champney, c. 1899

Hailing the Ferry, No. 15 from the portfolio "American Pictorial Photography, Series II” (1901); edition 34/150 by John E. Dumont

Hailing the Ferry, No. 15 from the portfolio "American Pictorial Photography, Series II” (1901); edition 34/150

John E. Dumont, 1897

A Study Head, No. 14 from the portfolio "American Pictorial Photography, Series II” (1901) by Eva Lawrence Watson-Schütze

A Study Head, No. 14 from the portfolio "American Pictorial Photography, Series II” (1901)

Eva Lawrence Watson-Schütze, c. 1899

Montmartre by Unknown

Montmartre

Unknown, 1870

Untitled (Man in Chair, Profile) by Antoine Samuel Adam-Salomon

Untitled (Man in Chair, Profile)

Antoine Samuel Adam-Salomon, 1855/1869

Jean Baptiste Camille Corot by Etienne Carjat

Jean Baptiste Camille Corot

Etienne Carjat, c. 1863

Le Neptune, Place Saint-Pierre à Montmartre by Nadar (Gaspard Félix Tournachon)

Le Neptune, Place Saint-Pierre à Montmartre

Nadar (Gaspard Félix Tournachon), September 23, 1870

Etang et Fermiere (Pool and Farmer's Wife) by Constant Famin

Etang et Fermiere (Pool and Farmer's Wife)

Constant Famin, c. 1865

On the Slopes of Cader-Idris, The Last Load of Hay by Henry Peach Robinson

On the Slopes of Cader-Idris, The Last Load of Hay

Henry Peach Robinson, 1883

Study in the Barbizon Forest by Constant Famin

Study in the Barbizon Forest

Constant Famin, 1860/69

Ilfracombe, the Victoria Promenade by Francis Bedford

Ilfracombe, the Victoria Promenade

Francis Bedford, 1860/94

Sidmouth, West of Esplanade by Francis Bedford

Sidmouth, West of Esplanade

Francis Bedford, 1860/94

Clovelly, the New Inn and Street by Francis Bedford

Clovelly, the New Inn and Street

Francis Bedford, 1860/94

Llandudno and Conway Bay by Francis Bedford

Llandudno and Conway Bay

Francis Bedford, 1860/94

Ilfracombe, Capstone Parade and Wildersmouth by Francis Bedford

Ilfracombe, Capstone Parade and Wildersmouth

Francis Bedford, 1860/94

Old Barmouth by Francis Bedford

Old Barmouth

Francis Bedford, 1860/94

Clovelly from the Hobby by Francis Bedford

Clovelly from the Hobby

Francis Bedford, 1860/94

Stratford-on-Avon, Church from the Avon by Francis Bedford

Stratford-on-Avon, Church from the Avon

Francis Bedford, 1860/94

Lynmouth from the Sea by Francis Bedford

Lynmouth from the Sea

Francis Bedford, 1860/94

Trefriw-River Conway and Steamer by Francis Bedford

Trefriw-River Conway and Steamer

Francis Bedford, 1860/94

Glen Lyn, the Rustic Bridge by Francis Bedford

Glen Lyn, the Rustic Bridge

Francis Bedford, 1860/94

Carnavon Castle and Straights by Francis Bedford

Carnavon Castle and Straights

Francis Bedford, 1860/94

Dolgelley, View in Torrent Walk by Francis Bedford

Dolgelley, View in Torrent Walk

Francis Bedford, 1860/94

Worker at Grinding Machine by Lewis Wickes Hine

Worker at Grinding Machine

Lewis Wickes Hine, 1930/31

Worker Giving High-Signal to the Derrick Crew by Lewis Wickes Hine

Worker Giving High-Signal to the Derrick Crew

Lewis Wickes Hine, 1930/31

Old Fashioned Brakeman on Freight Train by Lewis Wickes Hine

Old Fashioned Brakeman on Freight Train

Lewis Wickes Hine, 1930/31

Cotton Mill Workers by Lewis Wickes Hine

Cotton Mill Workers

Lewis Wickes Hine, 1905/10, possibly printed c. 1930

Unidentified Man by Mr. Craik

Unidentified Man

Mr. Craik, c. 1858

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