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Prints and Drawings — Page 107

24,866 artworks · Art Institute of Chicago

A Scientist Trying to Befriend His Son with a Great Kangaroo from Central America, plate 3 from La Société D'acclimatation by Honoré-Victorin Daumier

A Scientist Trying to Befriend His Son with a Great Kangaroo from Central America, plate 3 from La Société D'acclimatation

Honoré-Victorin Daumier, 1858

“- Hey, Baptiste, what are these two shouting for the last hour… I am sure they are fighting! - Oh no, they make such funny movements, that's hilarious… I've got it: the are rehearsing a tragedy which they will perform at the party of Madame Follemèche… Lucky the bourgeois who can afford with his income to enjoy such entertainments… the man is almost as funny as the clown of the Folies-Nouvelles!,” plate 11 from Les Comédiens De Société by Honoré-Victorin Daumier

“- Hey, Baptiste, what are these two shouting for the last hour… I am sure they are fighting! - Oh no, they make such funny movements, that's hilarious… I've got it: the are rehearsing a tragedy which they will perform at the party of Madame Follemèche… Lucky the bourgeois who can afford with his income to enjoy such entertainments… the man is almost as funny as the clown of the Folies-Nouvelles!,” plate 11 from Les Comédiens De Société

Honoré-Victorin Daumier, 1858

“- Driver, driver, you cannot reject me, you have to save my life... bring me back to the races alive! - But come on, Spaniard… be reasonable… you don't have to fear the rain, since you are wearing a coat!…,” plate 2 from Le Carnaval De 1858 by Honoré-Victorin Daumier

“- Driver, driver, you cannot reject me, you have to save my life... bring me back to the races alive! - But come on, Spaniard… be reasonable… you don't have to fear the rain, since you are wearing a coat!…,” plate 2 from Le Carnaval De 1858

Honoré-Victorin Daumier, 1858

Mr. Prudhomme: “- Obnoxious waves.... don't you know whom you are carrying in this moment?... oh audacious... know I shall, like Xerxes, whip you terribly. Mme Prudhomme: (shivering of fear) “- Pray, my dear friend, do not offend the sea any longer... you might wake its fury and it might devour us completely!,” plate 1 from Impressions Nautiques by Honoré-Victorin Daumier

Mr. Prudhomme: “- Obnoxious waves.... don't you know whom you are carrying in this moment?... oh audacious... know I shall, like Xerxes, whip you terribly. Mme Prudhomme: (shivering of fear) “- Pray, my dear friend, do not offend the sea any longer... you might wake its fury and it might devour us completely!,” plate 1 from Impressions Nautiques

Honoré-Victorin Daumier, 1859

“- Oh, my friend... I am afraid of these people there. - And rightly so... they are quite vicious, they beat their women and make them have black children!,” plate 101 from Actualités by Honoré-Victorin Daumier

“- Oh, my friend... I am afraid of these people there. - And rightly so... they are quite vicious, they beat their women and make them have black children!,” plate 101 from Actualités

Honoré-Victorin Daumier, 1859

View of the grand hall. Map, height and view from front of the conductor. Grand alliance between telegraph and music, plate 1 from Souvenir Du Grand Festival Des Orphéonistes by Honoré-Victorin Daumier

View of the grand hall. Map, height and view from front of the conductor. Grand alliance between telegraph and music, plate 1 from Souvenir Du Grand Festival Des Orphéonistes

Honoré-Victorin Daumier, 1859

“- Mr. Colimard, if you don't stop immediately ogling the dancers in such an unseemly manner, I will take you home before the end of the performance!,” plate 4 from Croquis Pris Au Théatre par Daumier by Honoré-Victorin Daumier

“- Mr. Colimard, if you don't stop immediately ogling the dancers in such an unseemly manner, I will take you home before the end of the performance!,” plate 4 from Croquis Pris Au Théatre par Daumier

Honoré-Victorin Daumier, 1864

A Misapprehension at the Odeon, on a Day of Drama. “- Come on, come on let's go! - I am telling you it's not finished. The curtain has gone up again and there is still Roman on the stage,” plate 4 from Croquis Pris Au Théatre par Daumier by Honoré-Victorin Daumier

A Misapprehension at the Odeon, on a Day of Drama. “- Come on, come on let's go! - I am telling you it's not finished. The curtain has gone up again and there is still Roman on the stage,” plate 4 from Croquis Pris Au Théatre par Daumier

Honoré-Victorin Daumier, 1864

“- Ah, Théophile, what ghastly things I am reading about you. According to the book by Mr. Desbarolles, I can tell that you have in your palm the lines of a libertinage!… - Oh, well…,” plate 1 from Ces Bons Parisiens by Honoré-Victorin Daumier

“- Ah, Théophile, what ghastly things I am reading about you. According to the book by Mr. Desbarolles, I can tell that you have in your palm the lines of a libertinage!… - Oh, well…,” plate 1 from Ces Bons Parisiens

Honoré-Victorin Daumier, 1860

El Cid also takes to the field to fight against the Moors, plate 116 from Actualités by Honoré-Victorin Daumier

El Cid also takes to the field to fight against the Moors, plate 116 from Actualités

Honoré-Victorin Daumier, 1859

The Terrible Director. “- Indeed! You are telling me that you missed today's rehearsal because you had to set leeches onto your mother? - Yes sir. - But, when you first came here three months ago, you told me that you were an orphan. This is the first time in my long career at the theater that I have met a person who sets leeches on the body of a dead person,” plate 5 from Les Moments Difficiles De La Vie by Honoré-Victorin Daumier

The Terrible Director. “- Indeed! You are telling me that you missed today's rehearsal because you had to set leeches onto your mother? - Yes sir. - But, when you first came here three months ago, you told me that you were an orphan. This is the first time in my long career at the theater that I have met a person who sets leeches on the body of a dead person,” plate 5 from Les Moments Difficiles De La Vie

Honoré-Victorin Daumier, 1864

D. Christopher Jacob Trew, from Plantae Selectae by Johann Jacob Haid

D. Christopher Jacob Trew, from Plantae Selectae

Johann Jacob Haid, n.d.

Landscape with Old Gateway by Louis Gabriel Moreau

Landscape with Old Gateway

Louis Gabriel Moreau, 1779–97

The English Farrier, plate 10 from Various Subjects Drawn from Life on Stone by Jean Louis André Théodore Géricault

The English Farrier, plate 10 from Various Subjects Drawn from Life on Stone

Jean Louis André Théodore Géricault, 1821

Landscape with Classical Statue by Louis Gabriel Moreau

Landscape with Classical Statue

Louis Gabriel Moreau, 1779/97

Manly courage of the celebrated Pajuelera in the ring at Saragossa, plate 22 from The Art of Bullfighting by Francisco José de Goya y Lucientes

Manly courage of the celebrated Pajuelera in the ring at Saragossa, plate 22 from The Art of Bullfighting

Francisco José de Goya y Lucientes, 1814/16

The Crucifixion by Jean Duvet

The Crucifixion

Jean Duvet, 1545/55

Flying Cupid Kissing a Dove by Gilles Antoine Demarteau, the Younger

Flying Cupid Kissing a Dove

Gilles Antoine Demarteau, the Younger, n.d.

Coat of Arms with a Skull by Jan Wierix

Coat of Arms with a Skull

Jan Wierix, n.d.

Peter I of Russia by Jacobus Houbraken

Peter I of Russia

Jacobus Houbraken, 1752

Bearded Male Head with Steel Helmet by Christian Frederick Köhlitz

Bearded Male Head with Steel Helmet

Christian Frederick Köhlitz, n.d.

Jupiter and Mercury with Philemon and Baucis by Jacob Männl

Jupiter and Mercury with Philemon and Baucis

Jacob Männl, n.d.

François Rouxel de Medavy, Archbishop of Rouen by Antoine Masson

François Rouxel de Medavy, Archbishop of Rouen

Antoine Masson, 1677

Foliage Ornament from Ancient Roman Church by Agostino dei Musi

Foliage Ornament from Ancient Roman Church

Agostino dei Musi, c. 1530–35

Time Clipping the Wings of Love by James McArdell

Time Clipping the Wings of Love

James McArdell, c. 1765

Astronomy by Eloy Bonnejonne

Astronomy

Eloy Bonnejonne, n.d.

Aeneas, Venus, and Achates by Conte Pietro Antonio Rotari

Aeneas, Venus, and Achates

Conte Pietro Antonio Rotari, n.d.

Saint Mary Magdalene by Conte Pietro Antonio Rotari

Saint Mary Magdalene

Conte Pietro Antonio Rotari, 1728/31

Grazing Horse, plate three from Series of Horses by Dirck Stoop

Grazing Horse, plate three from Series of Horses

Dirck Stoop, 1651

Two Swiss Peasants Bargaining by Marquand Fidel Dominikus Wocher

Two Swiss Peasants Bargaining

Marquand Fidel Dominikus Wocher, 1785

Rue des Toiles, Bourges by Charles Meryon

Rue des Toiles, Bourges

Charles Meryon, 1853

Bather by Odilon Redon

Bather

Odilon Redon, 1904

Farm with Dutch Poplars by Louis Auguste Lepère

Farm with Dutch Poplars

Louis Auguste Lepère, 1914

A Tight Corner by Félix Edouard Vallotton

A Tight Corner

Félix Edouard Vallotton, 1893

The Famous Gargantua by Jean-Charles Pellerin

The Famous Gargantua

Jean-Charles Pellerin, late 18th or early 19th century

The Forest Singer by Théophile-Alexandre Pierre Steinlen

The Forest Singer

Théophile-Alexandre Pierre Steinlen, 1897

The Corpus Christi Procession, Nantes by Louis Auguste Lepère

The Corpus Christi Procession, Nantes

Louis Auguste Lepère, 1901

Man in Ballet Costume Wearing a Turban by Imitator of Amedeo Modigliani

Man in Ballet Costume Wearing a Turban

Imitator of Amedeo Modigliani, n.d.

The Corpus Christi Procession, Nantes by Louis Auguste Lepère

The Corpus Christi Procession, Nantes

Louis Auguste Lepère, 1901

Heinrich Aldegrever, Aged 35 by Heinrich Aldegrever

Heinrich Aldegrever, Aged 35

Heinrich Aldegrever, 1537

Good Man by Edmé Jean Pigal

Good Man

Edmé Jean Pigal, n.d.

Trustworthy Man by Edmé Jean Pigal

Trustworthy Man

Edmé Jean Pigal, n.d.

Peasants' Feast, plate 8 from the Peasants' Feast or the Twelve Months by Hans Sebald Beham

Peasants' Feast, plate 8 from the Peasants' Feast or the Twelve Months

Hans Sebald Beham, 1546

The Prodigal Son Wasting his Fortune, plate two from The History of the Prodigal Son by Hans Sebald Beham

The Prodigal Son Wasting his Fortune, plate two from The History of the Prodigal Son

Hans Sebald Beham, 1540

Evening, plate three from The Four Times of the Day by Bernard Baron

Evening, plate three from The Four Times of the Day

Bernard Baron, May 1738

Madame Eugène Carrière by Eugène Carrière

Madame Eugène Carrière

Eugène Carrière, 1893

Portrait of Antonin Proust by Auguste Rodin

Portrait of Antonin Proust

Auguste Rodin, 1884–88

Woman with a Shawl by Auguste Rodin

Woman with a Shawl

Auguste Rodin, n.d.

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