Prints and Drawings — Page 146
24,866 artworks · Art Institute of Chicago
The Vampire
Charles Meryon, 1853
Church of St. Etienne du Mont, Paris
Charles Meryon, 1852
House with a Turret, No 22, rue de l'Ecole de Médecine, Paris (called the Turret of Marat)
Charles Meryon, 1861
The Clock Tower, Paris
Charles Meryon, 1852
House with a Turret, rue de la Tixéranderie
Charles Meryon, 1852
House with a Turret, No 22, rue de l'Ecole de Médecine, Paris (called the Turret of Marat)
Charles Meryon, 1861
Street Scene in Northern France
Ambrose Poynter, c. 1840
Portrait of François Viète
Charles Meryon, 1861
The Cobbler
Adriaen van Ostade, 1671
The Quacksalver
Adriaen van Ostade, 1648
House with a Turret, rue de la Tixéranderie, Paris
Charles Meryon, 1852
The Fiddler and the Hurdy-Gurdy Boy
Adriaen van Ostade, 1654/56
The Fair
Adriaen van Ostade, c. 1654
Portrait of François Viète
Charles Meryon, 1861
Virgil Suspended in a Basket, copy
Georg Pencz, 1541/1600
Saint John the Baptist, with Sketch of Head
Odilon Redon, n.d.
Return from the Market
Louis Auguste Lepère, 1911
Broad Street, Stirling
David Young Cameron, 1899
The Diplomat and the Anthill, Illustration for Fables and Tales by Hippolyte de Thierry-Faletans
Rodolphe Bresdin, 1868
In Holland—The Buoy
Paul Signac, 1896
Evening
Armand Séguin, 1894
Mount Vernon, Home of General Washington, Virginia
Unknown, n.d.
View of the City of Washington in 1807
Unknown, 1807
Denis Marin de la Châtaigneraye, Secretary to the King
Antoine Masson, 1672
Against the Light
Childe Hassam, 1907
March
Francesco Bartolozzi, August 20, 1793
Mercury with the Head of Argus
Hieronymus Cock, 1558
The Embroiderer. An example of the errors, nature sometimes makes in labeling the sexes. Just as one sees the would-be women who wear pants, some kind of a moustache, who play a cornet or the bass-viol, or who compose humanitarian novels, in the same way one finds men who play the harp, hemstitch neckerchiefs, do embroidering with their hands, and, who in a case of emergency know how to do a little cooking, plate 2 from Monomanes
Honoré-Victorin Daumier, 1840
Ornamental Plate I
Jacques Hurtu, 1610/20
Ornamental Plate II
Jacques Hurtu, n.d.
Ornamental Plate VI
Jacques Hurtu, c. 1619
Ornamental Plate V
Jacques Hurtu, c. 1619
A Sunday in the botanical gardens, plate 320 from Souvenirs d’artistes
Honoré-Victorin Daumier, 1862
Ratapoil and Casmajou. The most active members of the philanthropic society of December 10: the portraits are drawn from nature and are of striking similarity, plate six from Actualités
Honoré-Victorin Daumier, 1850
“- This one may look as unhappy as a rock, before I would give him a job", plate 311 from Souvenirs d’artistes
Honoré-Victorin Daumier, 1862
At the Universal Exhibition. The visitor will easily find any means of transportation to return to his hotel
Julien Antoine Peulot, 1867
Napoleon Accompanied by his Good Men, Returning to France on March 1, 1815
baron François Pascal Simon Gérard, March 20, 1815
View of Mulhouse
Mathieu Mieg, 1810, printed 1814/16
Roman Landscape
Ferdinand Ferdinand, 1800/49
Landscape with Steeple
Louis Faure, 1817
The Bull
Gottfried Engelmann, October 1815
Portrait of Coupin de la Couperie
Anne-Louis Girodet de Roussy-Trioson, 1816
Cat and Monkey
Gottfried Engelmann, 1814/16
Antelope
Gottfried Engelmann, 1814/15
Tivoli, plate four from Views and Buildings of Italy
Lameau, n.d.
Landscape in an Oval
Lameau, 1817–21
Landscape in an Oval
Lameau, 1817–21
Portrait of a Young Man
Jules de Joly, 1816