Skeletons in Art — Page 3
331 artworks
Dritte Zukunft from Eva und die Zukunft (Rad.-Werk III)
Max Klinger|Max Klinger|Wilhelm Felsing, 1898
The skeleton of Don Juan Tenorio
José Guadalupe Posada|Antonio Vanegas Arroyo, ca. 1900–1910
Cupid's Skeleton
Antonio Vanegas Arroyo|José Guadalupe Posada, ca. 1900–1910
Broadsheet relating to elegant and pretentious calaveras (skeletons) that become decayed and fetid
Antonio Vanegas Arroyo|J. Cortés, ca. 1900–1910
Skeletons of the good defenders
Manuel Manilla|Antonio Vanegas Arroyo|José Guadalupe Posada, ca. 1900–1910
Male skeleton wearing military dress (vignette for the feast of the dead)
José Guadalupe Posada, ca. 1890–1910
A male and female skeleton talking (vignette for the feast of the dead)
José Guadalupe Posada, ca. 1890–1910
Artisan skeletons
José Guadalupe Posada, ca. 1890–1910
Skeleton standing in a pulpit, from a broaside entitled 'De este famoso hipodromo en la pista, no faltara ni un solo periodista', published by Antonio Vanegas Arroyo.
José Guadalupe Posada, ca. 1889–1895
A skeleton in farming clothes speaking to a skeleton in a dress, from a broaside entitled 'La Calavera de Cupido', published by Antonio Vanegas Arroyo.
José Guadalupe Posada, ca. 1880–1910
Skeleton standing with his arms raised
José Guadalupe Posada, ca. 1880–1910
A skeleton picking crops in a field while carrying a baby skeleton on her back
José Sanchez|José Guadalupe Posada, ca. 1880–1910
A male skeleton leading a female skeleton to the left, from a broaside entitled 'La Calavera de Cupido', published by Antonio Vanegas Arroyo.
José Guadalupe Posada, ca. 1880–1910
A skeleton in a torero costume turning away from a kneeling skeleton in a shawl and dress, from the broadside entitled, 'El Gran Panteon Amoroso,' published by Antonio Vanegas Arroyo.
José Guadalupe Posada, ca. 1880–1910
Two elegantly dressed skeletons walking, from a broadside entitled, 'El Gran Panteon Amoroso,' published by Antonio Vanegas Arroyo.
José Guadalupe Posada, ca. 1880–1910
Skeleton wearing a hat and carrying a towel
José Guadalupe Posada, ca. 1880–1910
Netsuke
Netsuke of Crouching Figure of a Skeleton
Wavy-end spoon
The Skeletons, from "Grotteschi" (Grotesques)
Giovanni Battista Piranesi|Giovanni Bouchard, ca. 1748
Studies of three skeleton, from the 'Principios para estudiar el Nobilísimo y Real arte de la Pintura' (Madrid 1693)
José García Hidalgo, ca. 1693
Sketches for a Wall Tomb with Skeletons
Gian Lorenzo Bernini, 1630–40
Plaque from a Tantric Ritual Apron with a Skeleton
Plaque from a Tantric Ritual Apron with a Skeleton
Memento Mori: a skeleton in a niche
Master IAM of Zwolle, late 15th century
Lead figure, possibly of a skeleton
The very brave skeletons Guatemaltecas of Mora and of Morales
Antonio Vanegas Arroyo|José Guadalupe Posada, 1907
Broadsheet relating to Don Luis Mejia and Afan, a corrida (ballad) in the bottom section
Antonio Vanegas Arroyo|José Guadalupe Posada, 1907
Skeletons (calaveras) dancing and drinking, relating to the coquettish waitress, corrida in bottom section
José Guadalupe Posada|Antonio Vanegas Arroyo, Ca. 1910
Skeletons hawking their wares and shouting about teetotalers, drunkards, old men and kids, tomcats and working girls
José Guadalupe Posada|Antonio Vanegas Arroyo, ca. 1900–1910
Catacombs, Convento dei Cappucini, Palermo
Eugenio Interguglielmi & Company|Eugenio Interguglielmi, ca. 1895
In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla)
Antonio Vanegas Arroyo|Manuel Manilla|José Guadalupe Posada, ca. 1900–1910
暁斎百鬼画談|Kyōsai’s Pictures of One Hundred Demons
Kawanabe Kyōsai 河鍋暁斎, 1890
Skeleton sitting on a chair and reading a newspaper, from a broaside entitled 'De este famoso hipodromo en la pista, no faltara ni un solo periodista', published by Antonio Vanegas Arroyo.
José Guadalupe Posada, ca. 1889–1895
Skeleton firing a canon, from a broaside entitled 'De este famoso hipodromo en la pista, no faltara ni un solo periodista', published by Antonio Vanegas Arroyo.
José Guadalupe Posada, ca. 1889–1895
A skeleton selling tortillas from a broadside entitled 'Una Calavera Chusca'
José Guadalupe Posada|José Sanchez, ca. 1880–1910
A skeleton selling cheese from a broadside entitled 'Una Calavera Chusca'
José Guadalupe Posada|José Sanchez, ca. 1880–1910
A skeleton holding a knife leaping over a pile of skulls, people flee in the background, from a broadside entitled 'Las bravisimas calaveras Guatemaltecas'
José Guadalupe Posada|José Sanchez, ca. 1880–1910
Profile of a female skeleton with a fur vest, from a broaside entitled 'La Calavera de Cupido', published by Antonio Vanegas Arroyo.
José Guadalupe Posada, ca. 1880–1910
A skeleton selling hot liquid in basins, from a broadside entitled 'Una Calavera Chusca'
José Sanchez|José Guadalupe Posada, ca. 1880–1910
A skeleton running with a crowbar in his hand, from a broadside entitled ' Calavera llorando el hueso'
José Sanchez|José Guadalupe Posada, ca. 1880–1910
Two skeletons smiling and dancing
José Guadalupe Posada|José Sanchez, ca. 1880–1910
A skeleton holding a bone and leaping over a pile of skulls while people flee, from a broadside entitled 'Las bravisimas calaveras Guatemaltecas'
José Guadalupe Posada|José Sanchez, ca. 1880–1910
Peace, an idyll, from 'News of the day,' published in Le Charivari, March 6, 1871
Honoré Daumier, March 6, 1871
Journey for Eternity, No. 1
J. J. Grandville|Langlumé, ca. 1839
Netsuke of Skeleton with a Drum
From an Original Sketch of William Hogarth's in the Collection of Mr. Morrison
George Taylor|William Hogarth|Richard Livesay, March 1, 1782
The Conversion of Galen
Robert Sayer|John Bennett, March 1, 1775