Jo and Uba of Takasago Looking at the Rising Sun; Symbolic Representation of Longevity and Conjugal Harmony

Art Historical Context

In this exquisite 19th-century wood print by Totoya Hokkei, ukiyo-e artist renowned for his delicate surimono—privately commissioned albums of refined prints—we see the legendary couple Jo and Uba the tale of Takasago. The elderly pair stands gazing at the rising sun, timeless conjugal harmony and enduring love. Hokkei's masterful use of ink and color on captures their serene figures against a poetic landscape, with turtles subtly woven into the scene as potent symbols of longevity in Japanese folklore. Surimono like this one were luxurious, limited-edition prints often created for New Year's celebrations or poetic gatherings, showcasing intricate carving and vibrant pigments that elevated them beyond commercial ukiyo-e. The 8 x 10¼-inch sheet, part of the Metropolitan Museum of Art's H.O. Havemeyer Collection, reflects Edo-period Japan's fascination with auspicious themes drawn from Noh theater and classical literature. This artwork invites visitors to ponder the beauty of lifelong partnership, where the sun's ascent mirrors hopes for prosperity and unity—a heartfelt reminder of cultural values that transcend time.

About the Artist

Totoya Hokkei · 1780–1850

Totoya Hokkei (魚屋 北渓, 1780–1850), born Iwakubo Tatsuyuki in Edo (modern Tokyo), began his life as a humble fishmonger in the Yotsuya Samegahashi district, a trade reflected in his art name "Totoya," meaning fish shop. He transitioned to art through rigorous training, first studying under Kanō Yōsen'in Korenobu, head of the Kobikichō branch of the prestigious Kanō school, where he honed landscape p...