The Actor Sanjo Kantaro II as Oshichi in the play "Nanakusa Fukki Soga," performed at the Ichimura Theater in the first month, 1718

Art Historical Context

Step into the vibrant world of Edo-period Japan with *The Actor Sanjo Kantaro II as Oshichi in the "Nanakusa Fukki Soga,"* a captivating 1718 woodblock print byii Kiyomasu II. From the renowned Torii school, masters of yakusha-e (actor prints this hosoban-format piece—narrow and elegant at 33.7 × 15.3 cm—captures kabuki star in dynamic pose, embodying the tragic lover Oshichi during a performance at Tokyo's Ichimura Theater in the first lunar month. Printed as an urushi-e, or "lacquer print," it showcases early innovative techniques: hand-coloring over woodblocks with glue-based pigments that added a glossy, shimmering sheen, mimicking luxurious fabrics and stage makeup. This medium bridged traditional printing with theatrical flair, making affordable souvenirs that fueled ukiyo-e's rise as "pictures of the floating world"—ephemeral glimpses of popular culture. Housed in the Art Institute of Chicago's Arts of Asia collection, this print highlights kabuki's golden age, where stars like Sanjo Kantaro II drew massive crowds. It not only immortalizes a specific January 1718 production blending revenge tale and festival themes but also reflects how art democratized theater, blending artistry with everyday entertainment for Edo's theatergoers.

About the Artist

Torii Kiyomasu II · 1706–1763

At one point this artist was incorrectly identified as Kiyonobu II.