Baroque — Page 75
1,795 artworks · 1600-1750
Plate 3: Vase with a satyr's mask and garlands, from Antique Vases (Vasa a Polydoro Caravagino)
Cherubino Alberti (Zaccaria Mattia)|Polidoro da Caravaggio|Aegidius Sadeler II|Marcus Sadeler, 1605
Plate 6: Vase or Ewer with a Frieze Containing Naked Figures, Supported Below by Two Female Sphinxes, from Antique Vases (Vasa a Polydoro Caravagino)
Cherubino Alberti (Zaccaria Mattia)|Polidoro da Caravaggio|Aegidius Sadeler II|Marcus Sadeler, 1605
Plate 2: Two-handled vase with a nude figure on a pedestal at center, from "Antique Vases" (‘Vasa a Polydoro Caravagino’)
Cherubino Alberti (Zaccaria Mattia)|Polidoro da Caravaggio|Aegidius Sadeler II|Marcus Sadeler, 1605
Plate 8: Vase or Ewer Decorated with a Satyr Figure, Behind Two Cornucopias, and Two Winged Victory Figures, from Antique Vases (‘Vasa a Polydoro Caravagino’)
Cherubino Alberti (Zaccaria Mattia)|Polidoro da Caravaggio|Aegidius Sadeler II|Marcus Sadeler, 1605
Plate 4: Vase or Ewer with a Frieze containing mermaids and centaurs, and below a lion's head with garlands and ribbons, from Antique Vases (‘Vasa a Polydoro Caravagino’)
Cherubino Alberti (Zaccaria Mattia)|Polidoro da Caravaggio|Aegidius Sadeler II|Marcus Sadeler, 1605
Plate 10: Lidded Vase With a Handle in the Shape of a Griffin and A Frieze With Draped Dancing Figures, from Antique Vases (Vasa a Polydoro Caravagino’)
Cherubino Alberti (Zaccaria Mattia)|Polidoro da Caravaggio|Aegidius Sadeler II|Marcus Sadeler, 1605
Plate 5: Vase or Ewer with a Double Frieze, the Top shows Men Wrestling a Bull, the Bottom contains a Mask and Two Griffins, from Antique Vases (Vasa a Polydoro Caravagino)
Cherubino Alberti (Zaccaria Mattia)|Polidoro da Caravaggio|Aegidius Sadeler II|Marcus Sadeler, 1605
Plate 7: Vase or Ewer Decorated With a Vase Flanked by Putti and Two Large Female figures whose legs morph into griffin claws, from Antique Vases (Vasa a Polydoro Caravagino)
Cherubino Alberti (Zaccaria Mattia)|Polidoro da Caravaggio|Aegidius Sadeler II|Marcus Sadeler, 1605
Plate 9: Vase or Ewer with a Serpent Handle and Two Putti holding up a Garland, from Antique Vases (‘Vasa a Polydoro Caravagino’)
Cherubino Alberti (Zaccaria Mattia)|Polidoro da Caravaggio|Aegidius Sadeler II|Marcus Sadeler, 1605
Title page depicting a two-handled base with dancing nymphs, from Antique Vases (Vasa a Polidoro Caravagino)
Cherubino Alberti (Zaccaria Mattia)|Polidoro da Caravaggio|Aegidius Sadeler II|Marcus Sadeler, 1605
Vase with a Mask, Garlands and Two Crabs
Claes Jansz. Visscher|René Boyvin|Frederick de Wit|Polidoro da Caravaggio|Rosso Fiorentino, 17th century (late)
Vase with a Sacrificial Scene
Claes Jansz. Visscher|Frederick de Wit|Polidoro da Caravaggio|Rosso Fiorentino|René Boyvin, 17th century (late)
Vase with Dancing Putti
Claes Jansz. Visscher|René Boyvin|Frederick de Wit|Polidoro da Caravaggio|Rosso Fiorentino, 17th century (late)
Vase with Two Winged Satyrs
Frederick de Wit|Rosso Fiorentino|Polidoro da Caravaggio|Claes Jansz. Visscher|René Boyvin, 17th century (late)
Vase with Two Winged Figures Draping a Term
Frederick de Wit|René Boyvin|Polidoro da Caravaggio|Rosso Fiorentino|Claes Jansz. Visscher, 17th century (late)
Vase with a Sacrificial Scene
Claes Jansz. Visscher|René Boyvin|Polidoro da Caravaggio|Rosso Fiorentino|Frederick de Wit, 17th century
Vase with Two Winged Satyrs
Claes Jansz. Visscher|René Boyvin|Polidoro da Caravaggio|Rosso Fiorentino|Frederick de Wit, 17th century
Vase with Two Winged Figures Draping a Term
Claes Jansz. Visscher|René Boyvin|Polidoro da Caravaggio|Rosso Fiorentino|Frederick de Wit, 17th century
The History and Description of Cassiobury Park, Hertfordshire, the seat of the Earl of Essex
H. Fallows|John Wright|John Hill|Frederick Christian Lewis, Senior|Anthony van Dyck|John Britton|Robert William Billings|Joseph Mallord William Turner|Augustus Welby Northmore Pugin|Henry Edridge|William Alexander|François Huet Villiers|William Henry Hunt|Samuel Williams|Robert Havell Jr.|Edward Scriven|Chiswick Press|George Capel-Coningsby, 5th Earl of Essex|James Robert Thompson, 1837