Artheon MuseumArtheonMuseum

Renaissance — Page 81

2,992 artworks · 1400-1600

The Middle Section of the Entryway to the Central Portal, the Columns Decorated by Sirens and Sleeping Soldiers Behind, from the Arch of Honor, proof, dated 1515, printed 1517-18 by Wolf Traut|Hans Springinklee|Hieronymus Andreae|Albrecht Dürer

The Middle Section of the Entryway to the Central Portal, the Columns Decorated by Sirens and Sleeping Soldiers Behind, from the Arch of Honor, proof, dated 1515, printed 1517-18

Wolf Traut|Hans Springinklee|Hieronymus Andreae|Albrecht Dürer, 1515

The Upper Section of the Left Portal, with the Inscription on a Lion Skin; a Frieze with Busts of Roman Emperors; and Entablature of the Columns, from the Arch of Honor, proof, dated 1515, printed 1517-18 by Hieronymus Andreae|Hans Springinklee|Albrecht Dürer|Wolf Traut

The Upper Section of the Left Portal, with the Inscription on a Lion Skin; a Frieze with Busts of Roman Emperors; and Entablature of the Columns, from the Arch of Honor, proof, dated 1515, printed 1517-18

Hieronymus Andreae|Hans Springinklee|Albrecht Dürer|Wolf Traut, 1515

The Arch in the Entryway of the Right Portal (Die Porten des Adels); and the Outer Right Column of the Central Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18 by Hans Springinklee|Hieronymus Andreae|Albrecht Dürer|Wolf Traut

The Arch in the Entryway of the Right Portal (Die Porten des Adels); and the Outer Right Column of the Central Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18

Hans Springinklee|Hieronymus Andreae|Albrecht Dürer|Wolf Traut, 1515

The Marriage of Philip the Fair to Joanna of Austria; Maximilian Recaptures the Occupied Territories from Hungary; The Conquest of Hungary; The Swiss War; The Liberation of Naples; and The Battle of Wenzenberg, from the Arch of Honor, proof, dated 1515, printed 1517-18 by Hieronymus Andreae|Albrecht Dürer|Hans Springinklee|Wolf Traut

The Marriage of Philip the Fair to Joanna of Austria; Maximilian Recaptures the Occupied Territories from Hungary; The Conquest of Hungary; The Swiss War; The Liberation of Naples; and The Battle of Wenzenberg, from the Arch of Honor, proof, dated 1515, printed 1517-18

Hieronymus Andreae|Albrecht Dürer|Hans Springinklee|Wolf Traut, 1515

The Lower Portion of the Entryway to the Left Portal (Die Porten des Lobs); and the Outer Left Sockel of the Central Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18 by Albrecht Dürer|Hans Springinklee|Hieronymus Andreae|Wolf Traut

The Lower Portion of the Entryway to the Left Portal (Die Porten des Lobs); and the Outer Left Sockel of the Central Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18

Albrecht Dürer|Hans Springinklee|Hieronymus Andreae|Wolf Traut, 1515

The First Flemish Rebellion; The Campaign Against Liège; The Coronation of Maximilian; The Second Flemish Rebellion; The Alliance Between Philip I of Castile and Henry VII; The Victory Against France, from the Arch of Honor, proof, dated 1515, printed 1517-18 by Wolf Traut|Hieronymus Andreae|Hans Springinklee|Albrecht Dürer

The First Flemish Rebellion; The Campaign Against Liège; The Coronation of Maximilian; The Second Flemish Rebellion; The Alliance Between Philip I of Castile and Henry VII; The Victory Against France, from the Arch of Honor, proof, dated 1515, printed 1517-18

Wolf Traut|Hieronymus Andreae|Hans Springinklee|Albrecht Dürer, 1515

The Pinnacle of the Left Portal; and a Trumpeter and Standard from the Cupola of the Central Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18 by Wolf Traut|Hans Springinklee|Albrecht Dürer|Hieronymus Andreae

The Pinnacle of the Left Portal; and a Trumpeter and Standard from the Cupola of the Central Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18

Wolf Traut|Hans Springinklee|Albrecht Dürer|Hieronymus Andreae, 1515

The Ornaments Atop the Left Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18 by Hans Springinklee|Wolf Traut|Albrecht Dürer|Hieronymus Andreae

The Ornaments Atop the Left Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18

Hans Springinklee|Wolf Traut|Albrecht Dürer|Hieronymus Andreae, 1515

Flight into Egypt ? by Andrea Schiavone (Andrea Meldola)|Titian (Tiziano Vecellio)

Flight into Egypt ?

Andrea Schiavone (Andrea Meldola)|Titian (Tiziano Vecellio), n.d.

Drawing of the Head of Michelangelo's Dawn (from the Tomb of Lorenzo de' Medici, Church of San Lorenzo, Florence) by Michelangelo Buonarroti|Anonymous

Drawing of the Head of Michelangelo's Dawn (from the Tomb of Lorenzo de' Medici, Church of San Lorenzo, Florence)

Michelangelo Buonarroti|Anonymous, n.d.

An Eagle by Titian

An Eagle

Titian, 1560/1565

Saint Francis Receiving the Stigmata by Titian

Saint Francis Receiving the Stigmata

Titian, c. 1530

The Submersion of Pharoah's Army in the Red Sea by Titian

The Submersion of Pharoah's Army in the Red Sea

Titian, c. 1514/1515

Maximilian's Prowess in the Chase; and The Legend of the Holy Coat of Treves; with Portraits of Emperors and Kings (Maximilian's Forerunners), from the Arch of Honor, proof, dated 1515, printed 1517-18 by Hieronymus Andreae|Albrecht Altdorfer|Wolf Traut|Hans Springinklee|Albrecht Dürer

Maximilian's Prowess in the Chase; and The Legend of the Holy Coat of Treves; with Portraits of Emperors and Kings (Maximilian's Forerunners), from the Arch of Honor, proof, dated 1515, printed 1517-18

Hieronymus Andreae|Albrecht Altdorfer|Wolf Traut|Hans Springinklee|Albrecht Dürer, 1517/1518

Maximilian as Founder and Protector of the Order of St. George; and Maximilian and the Knights of St. George Vowing a Crusade Against the Turks; with Portraits of Emperors and Kings (Maximilian's Forerunners), from the Arch of Honor, proof, dated 1515, printed 1517-18 by Albrecht Altdorfer|Hans Springinklee|Albrecht Dürer|Hieronymus Andreae|Wolf Traut

Maximilian as Founder and Protector of the Order of St. George; and Maximilian and the Knights of St. George Vowing a Crusade Against the Turks; with Portraits of Emperors and Kings (Maximilian's Forerunners), from the Arch of Honor, proof, dated 1515, printed 1517-18

Albrecht Altdorfer|Hans Springinklee|Albrecht Dürer|Hieronymus Andreae|Wolf Traut, 1515

Maximilian as Commander-in-Chief; and Maximilian Conversing in Seven Languages; with Portraits of Emperors and Kings (Maximilian's Forerunners), from the Arch of Honor, proof, dated 1515, printed 1517-18 by Hieronymus Andreae|Hans Springinklee|Wolf Traut|Albrecht Altdorfer|Albrecht Dürer

Maximilian as Commander-in-Chief; and Maximilian Conversing in Seven Languages; with Portraits of Emperors and Kings (Maximilian's Forerunners), from the Arch of Honor, proof, dated 1515, printed 1517-18

Hieronymus Andreae|Hans Springinklee|Wolf Traut|Albrecht Altdorfer|Albrecht Dürer, 1515

The Battle of Spoleto by Andrea Vicentino after Titian

The Battle of Spoleto

Andrea Vicentino after Titian, c. 1575

Cardinal Albrecht of Brandenburg by Albrecht Dürer|Cardinal Albrecht of Brandenburg

Cardinal Albrecht of Brandenburg

Albrecht Dürer|Cardinal Albrecht of Brandenburg, 1519

Cardinal Albrecht of Brandenburg by Albrecht Dürer|Cardinal Albrecht of Brandenburg

Cardinal Albrecht of Brandenburg

Albrecht Dürer|Cardinal Albrecht of Brandenburg, 1519

Cardinal Albrecht of Brandenburg by Albrecht Dürer|Cardinal Albrecht of Brandenburg

Cardinal Albrecht of Brandenburg

Albrecht Dürer|Cardinal Albrecht of Brandenburg, n.d.

Christ and the two thieves crucified by Michelangelo Buonarroti|Michelangelo Buonarroti

Christ and the two thieves crucified

Michelangelo Buonarroti|Michelangelo Buonarroti, ca. 1560–70

Combat between Horsemen and Foot Soldiers by Hieronymus Hopfer after Raphael

Combat between Horsemen and Foot Soldiers

Hieronymus Hopfer after Raphael, 1401 to 1500

Bust of a Young Woman by Hans Baldung (called Hans Baldung Grien)|Albrecht Dürer

Bust of a Young Woman

Hans Baldung (called Hans Baldung Grien)|Albrecht Dürer, 1500–1545

Mars, Venus, and Eros by Marcantonio Raimondi possibly after Andrea Mantegna

Mars, Venus, and Eros

Marcantonio Raimondi possibly after Andrea Mantegna, 1508

    Send Feedback

    We use this only to reply to your feedback.