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Renaissance — Page 86

2,992 artworks · 1400-1600

Panels of Ornament, nos. IIII–VI, plate 2 from "Designs for Various Ornaments" by Michelangelo Pergolesi

Panels of Ornament, nos. IIII–VI, plate 2 from "Designs for Various Ornaments"

Michelangelo Pergolesi, May 1, 1777

Panels of Ornament, nos. VII–VIIII, plate 4 from "Designs for Various Ornaments" by Michelangelo Pergolesi

Panels of Ornament, nos. VII–VIIII, plate 4 from "Designs for Various Ornaments"

Michelangelo Pergolesi, May 1, 1777

The Day (one of a pair) by Michelangelo Buonarroti

The Day (one of a pair)

Michelangelo Buonarroti, ca. 1600

The Dusk (one of a pair) by Michelangelo Buonarroti

The Dusk (one of a pair)

Michelangelo Buonarroti, ca. 1600

Saint Jerome in the wilderness, with a lion at left by Michelangelo Marelli

Saint Jerome in the wilderness, with a lion at left

Michelangelo Marelli, 1578–80

Samson and the Philistines by Michelangelo Buonarroti

Samson and the Philistines

Michelangelo Buonarroti, ca. 1550

Pietà by Michelangelo Buonarroti

Pietà

Michelangelo Buonarroti, mid-16th century

Dying Slave by Michelangelo Buonarroti

Dying Slave

Michelangelo Buonarroti, 1505–45

Rebellious Captive by Michelangelo Buonarroti

Rebellious Captive

Michelangelo Buonarroti, 1505–45

The Temptation of Saint Anthony by Johannes van Doetechum, the Elder, and Lucas van Doetechum, after Hieronymus Bosch

The Temptation of Saint Anthony

Johannes van Doetechum, the Elder, and Lucas van Doetechum, after Hieronymus Bosch , 1561

Saint Martin with His Horse in a Ship by Johannes van Doetechum, the Elder, and Lucas van Doetechum, after Hieronymus Bosch

Saint Martin with His Horse in a Ship

Johannes van Doetechum, the Elder, and Lucas van Doetechum, after Hieronymus Bosch, c. 1561

The Crucifixion called the Sword Pommel of Maxmilian by Hieronymus Wierix and Antonie Wierix after Albrecht Dürer

The Crucifixion called the Sword Pommel of Maxmilian

Hieronymus Wierix and Antonie Wierix after Albrecht Dürer, 1551 to 1600

A Wooded and Rocky Landscape by Raphael Lamar West

A Wooded and Rocky Landscape

Raphael Lamar West, ca. 1800

Landscape with a Tree in the Foreground by Raphael Lamar West

Landscape with a Tree in the Foreground

Raphael Lamar West, ca. 1800

The Triumph of History over Time by Anton Raphael Mengs

The Triumph of History over Time

Anton Raphael Mengs, 1771–75 (?)

Oedipus before the Temple of the Furies between his Daughters Antigone and Ismene by Anton Raphael Mengs

Oedipus before the Temple of the Furies between his Daughters Antigone and Ismene

Anton Raphael Mengs, ca. 1760–61

Rest on the Flight into Egypt by Anton Raphael Mengs

Rest on the Flight into Egypt

Anton Raphael Mengs, mid-18th–late 18th century

Seated Nude Male by Anton Raphael Mengs

Seated Nude Male

Anton Raphael Mengs, n.d.

Holy Family with St. John the Baptist by Anton Raphael Mengs

Holy Family with St. John the Baptist

Anton Raphael Mengs, mid-18th century

Kneeling Female Nude and Two Studies of Angels by Georg Raphael Donner

Kneeling Female Nude and Two Studies of Angels

Georg Raphael Donner, early 18th century

The Last Judgment Triptych by attributed to Cornelis Cort after a follower Hieronymus Bosch

The Last Judgment Triptych

attributed to Cornelis Cort after a follower Hieronymus Bosch, c. 1560-1570

Section C: female martyrs and saints holding banners, from "The Triumph of Christ" by Andrea Andreani|Titian (Tiziano Vecellio)|Callisto Ferranti

Section C: female martyrs and saints holding banners, from "The Triumph of Christ"

Andrea Andreani|Titian (Tiziano Vecellio)|Callisto Ferranti, 1836

Section F: Saints holding crosses, books, and weapons, from "The Triumph of Christ" by Andrea Andreani|Titian (Tiziano Vecellio)|Callisto Ferranti

Section F: Saints holding crosses, books, and weapons, from "The Triumph of Christ"

Andrea Andreani|Titian (Tiziano Vecellio)|Callisto Ferranti, 1836

Section A: an angel holding a cross at upper left, Adam and Eve below, from "The Triumph of Christ" by Andrea Andreani|Titian (Tiziano Vecellio)|Callisto Ferranti

Section A: an angel holding a cross at upper left, Adam and Eve below, from "The Triumph of Christ"

Andrea Andreani|Titian (Tiziano Vecellio)|Callisto Ferranti, 1836

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