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Prints and Drawings — Page 174

24,866 artworks · Art Institute of Chicago

The Gust of Wind. “- Oh blast! I've lost my hat! - Don't worry.... since it is waterpoof.... you won't have a problem reclaiming it at Rouen!,” plate 17 from Les Canotiers Parisiens by Honoré-Victorin Daumier

The Gust of Wind. “- Oh blast! I've lost my hat! - Don't worry.... since it is waterpoof.... you won't have a problem reclaiming it at Rouen!,” plate 17 from Les Canotiers Parisiens

Honoré-Victorin Daumier, 1843

Madame Cabassol going for a romantic stroll in the botanical gardens together with the youngest friend of her husband's. Sudden encounter with the latter not far from a stag, plate 4 from Les Amis by Honoré-Victorin Daumier

Madame Cabassol going for a romantic stroll in the botanical gardens together with the youngest friend of her husband's. Sudden encounter with the latter not far from a stag, plate 4 from Les Amis

Honoré-Victorin Daumier, 1845

The husband wants him to look at his hot-bed, the friend only dreams of seeing his wife, plate 3 from Les Amisa by Honoré-Victorin Daumier

The husband wants him to look at his hot-bed, the friend only dreams of seeing his wife, plate 3 from Les Amisa

Honoré-Victorin Daumier, 1845

“- What a fortunate encounter! It's my dear Stanislaus whom I haven't seen since we were in the sixth class together at Landernau.... in these times we used to share everything.... Things should be the same again, could you lend me 20 or 25 Francs?,” plate 2 from Les Amis by Honoré-Victorin Daumier

“- What a fortunate encounter! It's my dear Stanislaus whom I haven't seen since we were in the sixth class together at Landernau.... in these times we used to share everything.... Things should be the same again, could you lend me 20 or 25 Francs?,” plate 2 from Les Amis

Honoré-Victorin Daumier, 1845

“- My dear friend, you really don't look very well this morning. I am not speaking to you as a doctor, but as a friend. I must insist in treating you.... better than I would treat myself. I am going to apply 30 leeches to your belly and if by tomorrow you have not improved, I'll apply another sixty,” plate 8 from Les Amis by Honoré-Victorin Daumier

“- My dear friend, you really don't look very well this morning. I am not speaking to you as a doctor, but as a friend. I must insist in treating you.... better than I would treat myself. I am going to apply 30 leeches to your belly and if by tomorrow you have not improved, I'll apply another sixty,” plate 8 from Les Amis

Honoré-Victorin Daumier, 1845

“- It's just because he's your friend, and because he has been introduced to me by you that I will let him subscribe to the last 20 shares of my colossal newspaper the EUROPEAN.... it will be a gold mine, and one day, he will thank you properly for it,” plate 7 from Les Amis by Honoré-Victorin Daumier

“- It's just because he's your friend, and because he has been introduced to me by you that I will let him subscribe to the last 20 shares of my colossal newspaper the EUROPEAN.... it will be a gold mine, and one day, he will thank you properly for it,” plate 7 from Les Amis

Honoré-Victorin Daumier, 1845

A friend is a crocodile produced by civilization, plate 6 from Les Amis by Honoré-Victorin Daumier

A friend is a crocodile produced by civilization, plate 6 from Les Amis

Honoré-Victorin Daumier, 1845

“- Your suit fits.... I'll borrow it from you... only, please close the door, I can feel a draft on my back. - Oh blast, the door is shut,..... but you just opened the only suit I have,” plate 5 from Les Amis by Honoré-Victorin Daumier

“- Your suit fits.... I'll borrow it from you... only, please close the door, I can feel a draft on my back. - Oh blast, the door is shut,..... but you just opened the only suit I have,” plate 5 from Les Amis

Honoré-Victorin Daumier, 1845

“- But I am telling you, they are friends.... they are just expressing themselves to each other,” plate 9 from Les Amis by Honoré-Victorin Daumier

“- But I am telling you, they are friends.... they are just expressing themselves to each other,” plate 9 from Les Amis

Honoré-Victorin Daumier, 1845

Head of Saint John the Evangelist: Study for the Disputation on the Immaculate Conception by Giovanni Antonio di Francesco Sogliani

Head of Saint John the Evangelist: Study for the Disputation on the Immaculate Conception

Giovanni Antonio di Francesco Sogliani, 1531/36

Prophet by Paul Troger

Prophet

Paul Troger, n.d.

Allegory of Africa by Gregorio Guglielmi

Allegory of Africa

Gregorio Guglielmi, 1765

Aurora Heralds the Break of Day to the Four Corners of the Globe by Unknown

Aurora Heralds the Break of Day to the Four Corners of the Globe

Unknown, n.d.

The Large Italian Landscape by Johann Wilhelm Schirmer

The Large Italian Landscape

Johann Wilhelm Schirmer, 1841

Arrival of the Comedians by Jean-Baptiste Oudry

Arrival of the Comedians

Jean-Baptiste Oudry, n.d.

Ruins of the Palace of the Caesars, plate 18 from Die Römische Ansichten by Joseph Anton Koch

Ruins of the Palace of the Caesars, plate 18 from Die Römische Ansichten

Joseph Anton Koch, 1810

Laban Searching for his Household Gods by Gabriel Jacques de Saint-Aubin

Laban Searching for his Household Gods

Gabriel Jacques de Saint-Aubin, 1753

The Large Sheepcot (horizontal plate) by Charles Émile Jacque

The Large Sheepcot (horizontal plate)

Charles Émile Jacque, 1859

The Large Sheepcot, horizontal plate by Charles Émile Jacque

The Large Sheepcot, horizontal plate

Charles Émile Jacque, 1859

History of Psyche by François Perrier

History of Psyche

François Perrier, 1634/46

The Large Lime-Kiln, from Cabinet Reynst by Cornelis Visscher

The Large Lime-Kiln, from Cabinet Reynst

Cornelis Visscher, 1655–58

Peter Scriverius by Cornelis Visscher

Peter Scriverius

Cornelis Visscher, 1649

They Spin Finely, plate 44 from Los Caprichos by Francisco José de Goya y Lucientes

They Spin Finely, plate 44 from Los Caprichos

Francisco José de Goya y Lucientes, 1797/99

She Fleeces him, plate 35 from Los Caprichos by Francisco José de Goya y Lucientes

She Fleeces him, plate 35 from Los Caprichos

Francisco José de Goya y Lucientes, 1797/99

Because She Was Susceptible, plate 32 from Los Caprichos by Francisco José de Goya y Lucientes

Because She Was Susceptible, plate 32 from Los Caprichos

Francisco José de Goya y Lucientes, 1797/99

She Prays for Her, plate 31 from Los Caprichos by Francisco José de Goya y Lucientes

She Prays for Her, plate 31 from Los Caprichos

Francisco José de Goya y Lucientes, 1797/99

There is Plenty to Suck, plate 45 from Los Caprichos by Francisco José de Goya y Lucientes

There is Plenty to Suck, plate 45 from Los Caprichos

Francisco José de Goya y Lucientes, 1797/99

"- Since he is now part of the family, he must also have his portrait taken", plate 269 from Actualités by Honoré-Victorin Daumier

"- Since he is now part of the family, he must also have his portrait taken", plate 269 from Actualités

Honoré-Victorin Daumier, 1856

The Dogs are Again Falling in Despair After Having Heard that There Will Be a New Dog Licence Tax After All, plate 171 from Actualités by Honoré-Victorin Daumier

The Dogs are Again Falling in Despair After Having Heard that There Will Be a New Dog Licence Tax After All, plate 171 from Actualités

Honoré-Victorin Daumier, 1855

“I don't rent to people with children,” plate 14 from Locataires Et Propriétaires by Honoré-Victorin Daumier

“I don't rent to people with children,” plate 14 from Locataires Et Propriétaires

Honoré-Victorin Daumier, 1847

“Yes, they would plunder this orphan, whom I cannot necessarily describe as being young, since he is fifty-seven years ol...I am, reassured knowing that justice always keeps an open eye on all guilty maneuvers! . . . ,” plate 11 from Les Gens De Justice by Honoré-Victorin Daumier

“Yes, they would plunder this orphan, whom I cannot necessarily describe as being young, since he is fifty-seven years ol...I am, reassured knowing that justice always keeps an open eye on all guilty maneuvers! . . . ,” plate 11 from Les Gens De Justice

Honoré-Victorin Daumier, 1845

Agamemnon Kneeling in Front of the Temple of Diana by Fontainebleau School

Agamemnon Kneeling in Front of the Temple of Diana

Fontainebleau School, c. 1548-1550

Main Staircase of the Palace of Justice. Front view, plate 36 from Les Gens De Justice by Honoré-Victorin Daumier

Main Staircase of the Palace of Justice. Front view, plate 36 from Les Gens De Justice

Honoré-Victorin Daumier, 1848

The Creation of Eve by Giulio Bonasone

The Creation of Eve

Giulio Bonasone, 1540/45

Descent from the Ark by Giulio Bonasone

Descent from the Ark

Giulio Bonasone, 1544

Study of the Head of a Young Girl by Jean Antoine Laurent

Study of the Head of a Young Girl

Jean Antoine Laurent, December 18, 1815

Man and Two Children at Window by Style of Jean Louis de Marne

Man and Two Children at Window

Style of Jean Louis de Marne, n.d.

Seated Gentleman by Jean Baptiste Greuze

Seated Gentleman

Jean Baptiste Greuze, c. 1769

Distress: Head of a Woman Looking Upwards by Jean Baptiste Greuze

Distress: Head of a Woman Looking Upwards

Jean Baptiste Greuze, n.d.

Eulerpe or Clio by Jean Baptiste Greuze

Eulerpe or Clio

Jean Baptiste Greuze, n.d.

Copy of Halte de Calmouks by John Kirby Baldrey

Copy of Halte de Calmouks

John Kirby Baldrey, c. 1772

Study for the Frontispiece, for Varie Vedute del Gentile by Jean Baptiste Le Prince

Study for the Frontispiece, for Varie Vedute del Gentile

Jean Baptiste Le Prince, c. 1755

Sense of Smell by Jean Baptiste Le Prince

Sense of Smell

Jean Baptiste Le Prince, 1774

Second Pastoral by Jean Baptiste Le Prince

Second Pastoral

Jean Baptiste Le Prince, 1769

Landscape with a Bridge and a Dovecote by Pierre François Laurent

Landscape with a Bridge and a Dovecote

Pierre François Laurent, c.1759-1809

The Temptation of Christ by Master of the Strache Altar

The Temptation of Christ

Master of the Strache Altar, c. 1475

Male Nude with Left Foot on a Pedestal by Gustav Klimt

Male Nude with Left Foot on a Pedestal

Gustav Klimt, 1879

The Ewe with Two Lambs by Charles Meryon

The Ewe with Two Lambs

Charles Meryon, 1850

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