Prints and Drawings — Page 176
24,866 artworks · Art Institute of Chicago
Death's Hostel
Charles Meryon, 1854
Verses Dedicated to Eugène Bléry, No. 1
Charles Meryon, 1854
House with a Turret, No 22, rue de l'Ecole de Médecine, Paris (called the Turret of Marat)
Charles Meryon, 1861
Let the pure soul groan...
Charles Meryon, 1854
The Admiralty, Paris
Charles Meryon, 1866
Chantrey Street, Paris
Charles Meryon, 1862
Pont-au-Change, Paris, about 1784
Charles Meryon, 1855
Des Esseintes
Odilon Redon, 1888
Madonna
Edvard Munch, 1895/96
Lucifer
Franz von Stuck, c. 1890
It Rocks but is Not Sunk
Charles Meryon, 1854
Portrait of René de Laudonnière Sablais (de Burdigale)
Charles Meryon, 1861
Portrait of François Viète
Charles Meryon, 1861
The Face of Christ
Charles Meryon, 1849
Portrait of Louis Jacques Marie Bizeul, the Breton Archaeologist
Charles Meryon, 1861
Portrait of Jean Besly, Historian
Charles Meryon, 1861
Portrait of Pierre Nivelle, Bishop of Luçon
Charles Meryon, 1861–62
Portrait of Armand Guéraud of Nantes, Printer and Man of Letters
Charles Meryon, 1861–62
Portrait of Benjamin Fillon, Writer and Historian
Charles Meryon, 1862
Portrait of Th. Agrippa d'Aubigné
Charles Meryon, 1861–62
Portrait of Meryon in Profile
Félix Henri Bracquemond, 1854
Portrait of Meryon
Félix Henri Bracquemond, 1853
The Printer Valère Maxime being Presented to King Louis XI
Charles Meryon, 1860
The Sheep and the Flies
Charles Meryon, 1849
The Cow and Ass
Charles Meryon, 1849
Profile Portrait of Charles Meryon
Félix Henri Bracquemond, 1854
Des Esseintes, Frontispiece for A Rebours by J.K. Huysmans
Odilon Redon, 1888
The Calvary
Master I.A.M. of Zwolle, c. 1480
Shepherd and Old Warrior
Domenico Campagnola, 1517
Susanna and the Elders
Annibale Carracci, 1590/95
Miner, from the ninth album of L'Estampe originale
Constantin Emile Meunier, 1895
Fishing Boat
Johan Barthold Jongkind, 1878
Fishing Fleet, from the seventh album of L'Estampe originale
Théo van Rysselberghe, 1893, published 1894
Sunflowers
Georges Lemmen, August 20, 1895
Looking at the Painting of Manet. “- Why the devil is this fat, red-faced woman in her nightdress called Olympia? - But my dear, perhaps that's the name of the black cat," plate 9 from Croquis Pris Au Salon par Daumier
Honoré-Victorin Daumier, 1865
View of the Mosel Valley below Trier with the Rocks of Pallien in the Foreground
Johann Anton Alban Ramboux, 1824/27
Vision of St. Francis of Assisi (recto); Saint Jerome, Vision of Saint Francis, and Two Small Sketches of St. Francis Holding the Christ Child (verso)
Jacopo Negretti, called Palma Giovane, c. 1618
Study for Saint James Saving an Innocent from the Flames
Lazzaro Tavarone, 1600
Study for Spandrel Decoration with Satyress, Satyrs, and Putti (recto); Head of Putto (verso)
Paolo Farinati, c. 1588
Saints Jerome and Francis of Assisi Adoring the Trinity
Bartolomeo Passarotti, c. 1570
Study for the Purification of the Virgin
Giovanni Battista Naldini, c. 1577
The Pleasures of Fishing. “- You are always in such a rush - Good God, we only just got here at noon and it is now only a quarter past five - Just give me a little more time, I am sure I'll end by catching one,” plate 50 from Moeurs Conjugales
Honoré-Victorin Daumier, 1842
Presentation of the Body of Saint Antoninus of Florence
Giovanni Battista Paggi, 1589/90
“- Still more Venuses this year... always Venuses!... as if there were any women built like that!,” plate 2 from Croquis Pris Au Salon par Daumier
Honoré-Victorin Daumier, 1864
Suffer the Little Children to Come unto Me
Giovanni Battista Tinti, n.d.
Mr. Coste noticing that the fish he took out of the water in order to analyse their state of health, end up feeling not well at all, plate 387 from Actualités
Honoré-Victorin Daumier, 1857
Hussar Discharging his Pistol at a German Dragoon
Carle Vernet, 1817
View From the Banks of the Teverone
Claude Thienon, 1817