Architecture in Art — Page 60
2,961 artworks
Section of a Palace (Probably of the Building in Accession Numbers 60.632.62 and 60.632.64)
Pietro Paolo Coccetti (Cocchetti), 1710–27
Octagonal Ceiling Design with Putti and Birds
Anonymous, Dutch, 18th century, 18th century
Fireworks celebrating the peace between France and the Empire, January 1698
Anonymous, French, 17th century, 1698
A Reconstruction of the Aedes Concordiae (above) and a View of the Ruins (below)
Jan Goeree, before 1704
A Reconstruction of the Temple of Romulus and Remus (above) and a View of the Ruins (below)
Jan Goeree, before 1704
Study for a Garden Capriccio
Gilles-Marie Oppenord, n.d.
Theatrical scene in a great hall with a vaulted ceiling and a central sculpture; two figures converse in the background while a third stands alone in the foreground
Ludovico Ottaviano Burnacini|Giacomo-Maria Giovannini, ca. 1687–1717
Throne room with a man in classical armor standing at center addressing a man seated on a throne at left; soldiers lined on either side of the room; set design from 'Il Fuoco Eterno'
Ludovico Ottaviano Burnacini|Mathäus Küsel, 1674
Three men at center, an old man who holding out an open book for a soldier to sign as a smaller man stands to the left holding ink; a large group of men surround them; set design from 'Il Fuoco Eterno'
Mathäus Küsel|Ludovico Ottaviano Burnacini, 1674
Speculum Romanae Magnificentiae: The Pantheon
Nicolaus van Aelst|Nicolas Beatrizet, 1649
Catafalque of Leopold, Archduke of Austria
Wilhelm Frommer, 1646
Plate 18: Camel viewed from behind with pyramid at left, from "Various animals" (Diversi animali)
Stefano della Bella|Pierre François Basan, ca. 1641
Plate 40: Design for festival architecture honoring the Spanish Prince Ferdinand's triumphal entry into the city of Ghent, January 28, 1635; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'
Johannes Meursius, 1636
Tempio del Sole (Temple of Cybele in the Piazza della Bocca della Verità)
Israel Silvestre, ca. 1640–91
Catafalque for Isabella Clara
Cornelis Galle I|Jacques Francquart, 1634
The Millstone near the Cask
Allart van Everdingen
The Straw Hut Seen from Behind
Allart van Everdingen
Sacrifice Offered before a Statue of Jupiter
Louis de Boullogne the Elder, 17th century
Altar with the Resurrection of Christ, plate 2 from: Nouveaux dessins d'autels à la romaine
Jean Le Pautre|Pierre Mariette le fils, ca. 1640–82
Design of the catafalque for Francesco Piccolomini; from 'Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura'
Giovanni Florimi|Sebastiano Folli|Francesco Piccolomini, 1608
Sixth interlude: garden of Calypso (Intermedio sesto: giardino di Calipso), from the series 'Seven Interludes' for the wedding celebration of Cosimo de' Medici in Florence, 1608
Remigio Cantagallina|Giulio Parigi, 1608
Drawing Showing Two Alternate Designs for a Cove Decoration
Anonymous, Italian, Roman-Bolognese, 17th century, 17th century
Catafalque for a Cardinal
Anonymous, Italian, Roman-Bolognese, 17th century, 17th century
Designs for a Ceiling
Anonymous, Italian, Roman-Bolognese, 17th century, 17th century
Fragment of Frame Design (Recto); Sketch of a Man's Head in Profile (Verso)
Anonymous, Italian, 17th or 18th century, 17th–18th century
Catafalque for Duke Alessandro Farnese; from 'Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura'
Giacomo della Porta|Cavaliere d'Arpino (Giuseppe Cesari)|Giovanni Giacomo De Rossi|Giovanni Maggi, 1593
Architectural Capriccio with an Arcade and Fountain in Point Perspective [Study for a Painting of John the Baptist before Herod]
Hans Vredeman de Vries, ca. 1594–96
Speculum Romanae Magnificentiae: Farnese Palace Interior
Anonymous|Claudio Duchetti, 1585
Speculum Romanae Magnificentiae: Circus Maximus
Giovanni Ambrogio Brambilla|Claudio Duchetti, 1581
A Gentleman and a Lady, from Das Bossenbüchlein
Mathais Beitler|Stephan Herman, ca. 1582
Speculum Romanae Magnificentiae: The Great Hall within the Farnese Palace
Anonymous|Paolo Graziani, late 16th century
Antiquarum Statuorum urbis Romae. . .Icones (Rome: Lorenzo Vaccari, 1584)
Etienne DuPérac|Bartolomeo Rossi|Giovanni Maggi|Andrea Vaccari|Lorenzo Vaccari, 1575, 1584, 1600
Speculum Romanae Magnificentiae: St. Peter's
Vincenzo Luchino, 1564
Roundel with Architecture (from a series of The Septem Artes Mechanicae)
Monogrammist SZ|Jörg Breu the Elder, after 1563
Speculum Romanae Magnificentiae: Farnese Palace Interior
Anonymous|Antonio Lafreri, 1560
Plate from "Scenographiae..."
Johannes van Doetecum I|Hans Vredeman de Vries|Hieronymus Cock, 1560
View of the Capitoline Hill during Michelangelo's restoration, the equestrian monument of Marcus Aurelius in the centre from the 'Speculum Romanae Magnificentiae:'
Anonymous|Nicolas Beatrizet, ca. 1561–63
Speculum Romanae Magnificentiae: Monte Pincio Palace and Gardens
Antonio Tempesta, mid to late 16th century
Speculum Romanae Magnificentiae: Circus Maximus
Nicolas Beatrizet|Michele Tramezzino|Pirro Ligorio, 1553
Speculum Romanae Magnificentiae: Temple of Janus
Tommaso Barlacchi|Anonymous, 1550
Series of Cartouches, in: Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 50)
Cornelis Bos, ca. 1545–60
Speculum Romanae Magnificentiae: Corinthian entablature from Santa Bibiana, Rome
Master PS|Jacques Prevost de Gray, 1537
Speculum Romanae Magnificentiae: Entablature from the Temple of Castor and Pollux, Rome
Master PS|Jacques Prevost de Gray, 1537
Speculum Romanae Magnificentiae: The Pantheon
Anonymous|Nicolas Beatrizet|Nicolaus van Aelst, 16th century
Speculum Romanae Magnificentiae: Column of Antoninus and a Roman Obelisk
Enea Vico|Anonymous, 16th century
Architecturally-Shaped Tabernacle with a Saint and Four Putti
Anonymous|Jacques Androuet Du Cerceau, ca. 1530–49
Design for a Tomb with Herms and a Niche with a Bust Portrait
Anonymous, Italian, 16th century, 16th century
Design for the Bay of an Arcade with Female Figures at the Base and an Arch with a Putto in the Spandrel
Anonymous, Italian, 16th to 17th century, 1500–1700