Architecture in Art — Page 60

2,961 artworks

Section of a Palace (Probably of the Building in Accession Numbers 60.632.62 and 60.632.64) by Pietro Paolo Coccetti (Cocchetti)

Section of a Palace (Probably of the Building in Accession Numbers 60.632.62 and 60.632.64)

Pietro Paolo Coccetti (Cocchetti), 1710–27

Octagonal Ceiling Design with Putti and Birds by Anonymous, Dutch, 18th century

Octagonal Ceiling Design with Putti and Birds

Anonymous, Dutch, 18th century, 18th century

Fireworks celebrating the peace between France and the Empire, January 1698 by Anonymous, French, 17th century

Fireworks celebrating the peace between France and the Empire, January 1698

Anonymous, French, 17th century, 1698

A Reconstruction of the Aedes Concordiae (above) and a View of the Ruins (below) by Jan Goeree

A Reconstruction of the Aedes Concordiae (above) and a View of the Ruins (below)

Jan Goeree, before 1704

A Reconstruction of the Temple of Romulus and Remus (above) and a View of the Ruins (below) by Jan Goeree

A Reconstruction of the Temple of Romulus and Remus (above) and a View of the Ruins (below)

Jan Goeree, before 1704

Study for a Garden Capriccio by Gilles-Marie Oppenord

Study for a Garden Capriccio

Gilles-Marie Oppenord, n.d.

Theatrical scene in a great hall with a vaulted ceiling and a central sculpture; two figures converse in the background while a third stands alone in the foreground by Ludovico Ottaviano Burnacini|Giacomo-Maria Giovannini

Theatrical scene in a great hall with a vaulted ceiling and a central sculpture; two figures converse in the background while a third stands alone in the foreground

Ludovico Ottaviano Burnacini|Giacomo-Maria Giovannini, ca. 1687–1717

Throne room with a man in classical armor standing at center addressing a man seated on a throne at left; soldiers lined on either side of the room; set design from 'Il Fuoco Eterno' by Ludovico Ottaviano Burnacini|Mathäus Küsel

Throne room with a man in classical armor standing at center addressing a man seated on a throne at left; soldiers lined on either side of the room; set design from 'Il Fuoco Eterno'

Ludovico Ottaviano Burnacini|Mathäus Küsel, 1674

Three men at center, an old man who holding out an open book for a soldier to sign as a smaller man stands to the left holding ink; a large group of men surround them; set design from 'Il Fuoco Eterno' by Mathäus Küsel|Ludovico Ottaviano Burnacini

Three men at center, an old man who holding out an open book for a soldier to sign as a smaller man stands to the left holding ink; a large group of men surround them; set design from 'Il Fuoco Eterno'

Mathäus Küsel|Ludovico Ottaviano Burnacini, 1674

Speculum Romanae Magnificentiae: The Pantheon by Nicolaus van Aelst|Nicolas Beatrizet

Speculum Romanae Magnificentiae: The Pantheon

Nicolaus van Aelst|Nicolas Beatrizet, 1649

Catafalque of Leopold, Archduke of Austria by Wilhelm Frommer

Catafalque of Leopold, Archduke of Austria

Wilhelm Frommer, 1646

Plate 18: Camel viewed from behind with pyramid at left, from "Various animals" (Diversi animali) by Stefano della Bella|Pierre François Basan

Plate 18: Camel viewed from behind with pyramid at left, from "Various animals" (Diversi animali)

Stefano della Bella|Pierre François Basan, ca. 1641

Plate 40: Design for festival architecture honoring the Spanish Prince Ferdinand's triumphal entry into the city of Ghent, January 28, 1635; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' by Johannes Meursius

Plate 40: Design for festival architecture honoring the Spanish Prince Ferdinand's triumphal entry into the city of Ghent, January 28, 1635; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'

Johannes Meursius, 1636

Tempio del Sole (Temple of Cybele in the Piazza della Bocca della Verità) by Israel Silvestre

Tempio del Sole (Temple of Cybele in the Piazza della Bocca della Verità)

Israel Silvestre, ca. 1640–91

Catafalque for Isabella Clara by Cornelis Galle I|Jacques Francquart

Catafalque for Isabella Clara

Cornelis Galle I|Jacques Francquart, 1634

The Millstone near the Cask by Allart van Everdingen

The Millstone near the Cask

Allart van Everdingen

The Straw Hut Seen from Behind by Allart van Everdingen

The Straw Hut Seen from Behind

Allart van Everdingen

Sacrifice Offered before a Statue of Jupiter by Louis de Boullogne the Elder

Sacrifice Offered before a Statue of Jupiter

Louis de Boullogne the Elder, 17th century

Altar with the Resurrection of Christ, plate 2 from: Nouveaux dessins d'autels à la romaine by Jean Le Pautre|Pierre Mariette le fils

Altar with the Resurrection of Christ, plate 2 from: Nouveaux dessins d'autels à la romaine

Jean Le Pautre|Pierre Mariette le fils, ca. 1640–82

Design of the catafalque for Francesco Piccolomini; from 'Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura' by Giovanni Florimi|Sebastiano Folli|Francesco Piccolomini

Design of the catafalque for Francesco Piccolomini; from 'Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura'

Giovanni Florimi|Sebastiano Folli|Francesco Piccolomini, 1608

Sixth interlude: garden of Calypso (Intermedio sesto: giardino di Calipso), from the series 'Seven Interludes' for the wedding celebration of Cosimo de' Medici in Florence, 1608 by Remigio Cantagallina|Giulio Parigi

Sixth interlude: garden of Calypso (Intermedio sesto: giardino di Calipso), from the series 'Seven Interludes' for the wedding celebration of Cosimo de' Medici in Florence, 1608

Remigio Cantagallina|Giulio Parigi, 1608

Drawing Showing Two Alternate Designs for a Cove Decoration by Anonymous, Italian, Roman-Bolognese, 17th century

Drawing Showing Two Alternate Designs for a Cove Decoration

Anonymous, Italian, Roman-Bolognese, 17th century, 17th century

Catafalque for a Cardinal by Anonymous, Italian, Roman-Bolognese, 17th century

Catafalque for a Cardinal

Anonymous, Italian, Roman-Bolognese, 17th century, 17th century

Designs for a Ceiling by Anonymous, Italian, Roman-Bolognese, 17th century

Designs for a Ceiling

Anonymous, Italian, Roman-Bolognese, 17th century, 17th century

Fragment of Frame Design (Recto); Sketch of a Man's Head in Profile (Verso) by Anonymous, Italian, 17th or 18th century

Fragment of Frame Design (Recto); Sketch of a Man's Head in Profile (Verso)

Anonymous, Italian, 17th or 18th century, 17th–18th century

Catafalque for Duke Alessandro Farnese; from 'Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura' by Giacomo della Porta|Cavaliere d'Arpino (Giuseppe Cesari)|Giovanni Giacomo De Rossi|Giovanni Maggi

Catafalque for Duke Alessandro Farnese; from 'Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura'

Giacomo della Porta|Cavaliere d'Arpino (Giuseppe Cesari)|Giovanni Giacomo De Rossi|Giovanni Maggi, 1593

Architectural Capriccio with an Arcade and Fountain in Point Perspective [Study for a Painting of John the Baptist before Herod] by Hans Vredeman de Vries

Architectural Capriccio with an Arcade and Fountain in Point Perspective [Study for a Painting of John the Baptist before Herod]

Hans Vredeman de Vries, ca. 1594–96

Speculum Romanae Magnificentiae: Farnese Palace Interior by Anonymous|Claudio Duchetti

Speculum Romanae Magnificentiae: Farnese Palace Interior

Anonymous|Claudio Duchetti, 1585

Speculum Romanae Magnificentiae: Circus Maximus by Giovanni Ambrogio Brambilla|Claudio Duchetti

Speculum Romanae Magnificentiae: Circus Maximus

Giovanni Ambrogio Brambilla|Claudio Duchetti, 1581

A Gentleman and a Lady, from Das Bossenbüchlein by Mathais Beitler|Stephan Herman

A Gentleman and a Lady, from Das Bossenbüchlein

Mathais Beitler|Stephan Herman, ca. 1582

Speculum Romanae Magnificentiae: The Great Hall within the Farnese Palace by Anonymous|Paolo Graziani

Speculum Romanae Magnificentiae: The Great Hall within the Farnese Palace

Anonymous|Paolo Graziani, late 16th century

Antiquarum Statuorum urbis Romae. . .Icones (Rome: Lorenzo Vaccari, 1584) by Etienne DuPérac|Bartolomeo Rossi|Giovanni Maggi|Andrea Vaccari|Lorenzo Vaccari

Antiquarum Statuorum urbis Romae. . .Icones (Rome: Lorenzo Vaccari, 1584)

Etienne DuPérac|Bartolomeo Rossi|Giovanni Maggi|Andrea Vaccari|Lorenzo Vaccari, 1575, 1584, 1600

Speculum Romanae Magnificentiae: St. Peter's by Vincenzo Luchino

Speculum Romanae Magnificentiae: St. Peter's

Vincenzo Luchino, 1564

Roundel with Architecture (from a series of The Septem Artes Mechanicae) by Monogrammist SZ|Jörg Breu the Elder

Roundel with Architecture (from a series of The Septem Artes Mechanicae)

Monogrammist SZ|Jörg Breu the Elder, after 1563

Speculum Romanae Magnificentiae: Farnese Palace Interior by Anonymous|Antonio Lafreri

Speculum Romanae Magnificentiae: Farnese Palace Interior

Anonymous|Antonio Lafreri, 1560

Plate from "Scenographiae..." by Johannes van Doetecum I|Hans Vredeman de Vries|Hieronymus Cock

Plate from "Scenographiae..."

Johannes van Doetecum I|Hans Vredeman de Vries|Hieronymus Cock, 1560

View of the Capitoline Hill during Michelangelo's restoration, the equestrian monument of Marcus Aurelius in the centre from the 'Speculum Romanae Magnificentiae:' by Anonymous|Nicolas Beatrizet

View of the Capitoline Hill during Michelangelo's restoration, the equestrian monument of Marcus Aurelius in the centre from the 'Speculum Romanae Magnificentiae:'

Anonymous|Nicolas Beatrizet, ca. 1561–63

Speculum Romanae Magnificentiae: Monte Pincio Palace and Gardens by Antonio Tempesta

Speculum Romanae Magnificentiae: Monte Pincio Palace and Gardens

Antonio Tempesta, mid to late 16th century

Speculum Romanae Magnificentiae: Circus Maximus by Nicolas Beatrizet|Michele Tramezzino|Pirro Ligorio

Speculum Romanae Magnificentiae: Circus Maximus

Nicolas Beatrizet|Michele Tramezzino|Pirro Ligorio, 1553

Speculum Romanae Magnificentiae: Temple of Janus by Tommaso Barlacchi|Anonymous

Speculum Romanae Magnificentiae: Temple of Janus

Tommaso Barlacchi|Anonymous, 1550

Series of Cartouches, in: Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 50) by Cornelis Bos

Series of Cartouches, in: Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 50)

Cornelis Bos, ca. 1545–60

Speculum Romanae Magnificentiae: Corinthian entablature from Santa Bibiana, Rome by Master PS|Jacques Prevost de Gray

Speculum Romanae Magnificentiae: Corinthian entablature from Santa Bibiana, Rome

Master PS|Jacques Prevost de Gray, 1537

Speculum Romanae Magnificentiae: Entablature from the Temple of Castor and Pollux, Rome by Master PS|Jacques Prevost de Gray

Speculum Romanae Magnificentiae: Entablature from the Temple of Castor and Pollux, Rome

Master PS|Jacques Prevost de Gray, 1537

Speculum Romanae Magnificentiae: The Pantheon by Anonymous|Nicolas Beatrizet|Nicolaus van Aelst

Speculum Romanae Magnificentiae: The Pantheon

Anonymous|Nicolas Beatrizet|Nicolaus van Aelst, 16th century

Speculum Romanae Magnificentiae: Column of Antoninus and a Roman Obelisk by Enea Vico|Anonymous

Speculum Romanae Magnificentiae: Column of Antoninus and a Roman Obelisk

Enea Vico|Anonymous, 16th century

Architecturally-Shaped Tabernacle with a Saint and Four Putti by Anonymous|Jacques Androuet Du Cerceau

Architecturally-Shaped Tabernacle with a Saint and Four Putti

Anonymous|Jacques Androuet Du Cerceau, ca. 1530–49

Design for a Tomb with Herms and a Niche with a Bust Portrait by Anonymous, Italian, 16th century

Design for a Tomb with Herms and a Niche with a Bust Portrait

Anonymous, Italian, 16th century, 16th century

Design for the Bay of an Arcade with Female Figures at the Base and an Arch with a Putto in the Spandrel by Anonymous, Italian, 16th to 17th century

Design for the Bay of an Arcade with Female Figures at the Base and an Arch with a Putto in the Spandrel

Anonymous, Italian, 16th to 17th century, 1500–1700

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