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"The Queen Ilar (Irakht) Before the King Warning him About the Brahmins (?)", Folio from a Kalila wa Dimna

Unknown Artist

second quarter 16th century

"The Queen Ilar (Irakht) Before the King Warning him About the Brahmins (?)", Folio from a Kalila wa Dimna by Unknown Artist

Medium

Ink and opaque watercolor on paper

Dimensions

Overall: H. 12 1/2 in. (31.8 cm) W. 8 7/8 in. (22.6 cm) Average text size: H. 8 5/8 in. (21.9 cm) W. 4 7/8 in. (12.4 cm)

Classification

Codices

Department

Islamic Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Alice and Nasli Heeramaneck Collection, Gift of Alice Heeramaneck, 1981

Accession Number

1981.373.96

Rights

Public Domain

Tags

KingsQueensWomen

Art Historical Context

This exquisite folio, titled *"The Queen Ilar (Irakht) Before the Warning him About the Brah (?)"*, hails from a 16th-century manuscript ofKalila wa Dimna a beloved collection of animal fables adapted from ancient Indian tales like the *Panchatantra*. Popular across the Islamic world, these stories used clever beasts and human characters to impart moral lessons on wisdom, power, and intrigue. Created in the second quarter of the th century by an unknown artist, it exemplifies Persian or Deccani miniature painting traditions, where intricate illustrations accompanied poetic text. Rendered in ink and opaque watercolor on paper, the artwork measures about 12½ by 8⅞ inches, with a central image framed by elegant calligraphy. The vibrant pigments—likely including gold accents—bring to life a dramatic courtly scene: Queen Ilar (or Irakht) urgently advising her king, possibly about scheming Brahmins, amid a richly detailed palace setting. This technique of fine-line drawing and flat, jewel-toned colors allowed for symbolic storytelling, emphasizing hierarchy through scale and gesture, with kings and queens towering as central figures. Housed in the Metropolitan Museum of Art's Islamic Art Department, this folio from The Alice and Nasli Heeramaneck Collection highlights the cultural synthesis of Persian, Indian, and Islamic influences during the Safavid or early Mughal era. It invites visitors to ponder timeless themes of counsel and caution, preserved as a window into royal life and ethical fables that captivated courts for centuries.

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