High Renaissance — Page 49

1,351 artworks · 1490-1527

Four Heads From the Raphael Cartoons at Hampton Court by Jane Hogarth|Raphael (Raffaello Sanzio or Santi)|William Hogarth

Four Heads From the Raphael Cartoons at Hampton Court

Jane Hogarth|Raphael (Raffaello Sanzio or Santi)|William Hogarth, May 14, 1781

Four Heads From the Raphael Cartoons at Hampton Court by William Hogarth|Jane Hogarth|Raphael (Raffaello Sanzio or Santi)

Four Heads From the Raphael Cartoons at Hampton Court

William Hogarth|Jane Hogarth|Raphael (Raffaello Sanzio or Santi), May 14, 1781

Calumny after Raphael by Raphael (Raffaello Sanzio or Santi)|baron Dominique Vivant Denon

Calumny after Raphael

Raphael (Raffaello Sanzio or Santi)|baron Dominique Vivant Denon

Onofrius, from the series Solitudo Sive Vitae Patrum Eremicolarum by Maerten de Vos|Johann Sadeler I|Raphael Sadeler I

Onofrius, from the series Solitudo Sive Vitae Patrum Eremicolarum

Maerten de Vos|Johann Sadeler I|Raphael Sadeler I, 1585–86

Two tritons embracing, one playing a panpipe, the second holding a conch shell set within a recessed space by Cherubino Alberti (Zaccaria Mattia)|Raphael (Raffaello Sanzio or Santi)

Two tritons embracing, one playing a panpipe, the second holding a conch shell set within a recessed space

Cherubino Alberti (Zaccaria Mattia)|Raphael (Raffaello Sanzio or Santi), 1579

Cistern by Giulio Romano|Raphael (Raffaello Sanzio or Santi)|Marcantonio Raimondi

Cistern

Giulio Romano|Raphael (Raffaello Sanzio or Santi)|Marcantonio Raimondi, ca. 1550 or later

Constantine defeating the tyrant Maxentius, angels carrying swords fly above by Giulio Bonasone|Giulio Romano|Raphael (Raffaello Sanzio or Santi)

Constantine defeating the tyrant Maxentius, angels carrying swords fly above

Giulio Bonasone|Giulio Romano|Raphael (Raffaello Sanzio or Santi), 1544

Entombment of Christ, whose chest is grasped by Joseph of Arimathea, with two kneeling and two standing female mourners at left and crown of thorns at bottom right by Enea Vico|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca

Entombment of Christ, whose chest is grasped by Joseph of Arimathea, with two kneeling and two standing female mourners at left and crown of thorns at bottom right

Enea Vico|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca, 1543

Christ in Limbo, after Raphael by Nicolas Beatrizet|Raphael (Raffaello Sanzio or Santi)|Tommaso Barlacchi

Christ in Limbo, after Raphael

Nicolas Beatrizet|Raphael (Raffaello Sanzio or Santi)|Tommaso Barlacchi, 1541

Christ in Limbo, after Raphael by Nicolas Beatrizet|Tommaso Barlacchi|Raphael (Raffaello Sanzio or Santi)

Christ in Limbo, after Raphael

Nicolas Beatrizet|Tommaso Barlacchi|Raphael (Raffaello Sanzio or Santi), 1541

The Transfiguration, after Raphael by Nicolas Beatrizet|Tommaso Barlacchi|Raphael (Raffaello Sanzio or Santi)

The Transfiguration, after Raphael

Nicolas Beatrizet|Tommaso Barlacchi|Raphael (Raffaello Sanzio or Santi), 1541

Christ in Limbo, after Raphael by Tommaso Barlacchi|Raphael (Raffaello Sanzio or Santi)|Nicolas Beatrizet

Christ in Limbo, after Raphael

Tommaso Barlacchi|Raphael (Raffaello Sanzio or Santi)|Nicolas Beatrizet, 1541

Joseph in the centre being sold by his brothers standing above a well, camels at the right by Master of the Die|Raphael (Raffaello Sanzio or Santi)

Joseph in the centre being sold by his brothers standing above a well, camels at the right

Master of the Die|Raphael (Raffaello Sanzio or Santi), 1533

Venus removing a thorn from her foot by Master of the Die|Raphael (Raffaello Sanzio or Santi)

Venus removing a thorn from her foot

Master of the Die|Raphael (Raffaello Sanzio or Santi), 1532

Allegory of Marriage and Love; Juno in a chariot drawn by peacocks at left, Venus in a chariot drawn by three doves at the right by Master of the Die|Raphael (Raffaello Sanzio or Santi)

Allegory of Marriage and Love; Juno in a chariot drawn by peacocks at left, Venus in a chariot drawn by three doves at the right

Master of the Die|Raphael (Raffaello Sanzio or Santi), 1530–60

The Sacrifice of Noah by Master K.I.P.|Raphael (Raffaello Sanzio or Santi)|Marco Dente

The Sacrifice of Noah

Master K.I.P.|Raphael (Raffaello Sanzio or Santi)|Marco Dente, mid-16th century

Christ standing at left indicating to a flock of sheep, before him kneels St. Peter holding the keys to the church, behind him to the left stand the Apostles by Master of the Die|Raphael (Raffaello Sanzio or Santi)

Christ standing at left indicating to a flock of sheep, before him kneels St. Peter holding the keys to the church, behind him to the left stand the Apostles

Master of the Die|Raphael (Raffaello Sanzio or Santi), 1530–60

Four putti, two embracing in front of a large garland, two behind, the one at left holding an arrow, the one at right a bow, from a series of tapestries made for Leo X by Raphael (Raffaello Sanzio or Santi)|Master of the Die

Four putti, two embracing in front of a large garland, two behind, the one at left holding an arrow, the one at right a bow, from a series of tapestries made for Leo X

Raphael (Raffaello Sanzio or Santi)|Master of the Die, ca 1530–40

The Virgin seated on clouds being crowned by angels by Master of the Die|Raphael (Raffaello Sanzio or Santi)

The Virgin seated on clouds being crowned by angels

Master of the Die|Raphael (Raffaello Sanzio or Santi), 1530–60

Eight putti playing by Master of the Die|Raphael (Raffaello Sanzio or Santi)

Eight putti playing

Master of the Die|Raphael (Raffaello Sanzio or Santi), 1530–60

Christ seated on the tomb supported by angels by Master of the Die|Raphael (Raffaello Sanzio or Santi)

Christ seated on the tomb supported by angels

Master of the Die|Raphael (Raffaello Sanzio or Santi), 1530–60

The Transfiguration of Christ who appears upper centre, below him various figures including the Apostles by Master of the Die|Raphael (Raffaello Sanzio or Santi)

The Transfiguration of Christ who appears upper centre, below him various figures including the Apostles

Master of the Die|Raphael (Raffaello Sanzio or Santi), 1530–60

A frieze arrangement depcting the Triumph of Love; Cupid in a Chariot led by goats, many other putti filling the composition by Master of the Die|Raphael (Raffaello Sanzio or Santi)

A frieze arrangement depcting the Triumph of Love; Cupid in a Chariot led by goats, many other putti filling the composition

Master of the Die|Raphael (Raffaello Sanzio or Santi), 1530–60

A phoenix sat atop a tree, wings open, an assortment of animals below by Raphael (Raffaello Sanzio or Santi)|Master of the Die

A phoenix sat atop a tree, wings open, an assortment of animals below

Raphael (Raffaello Sanzio or Santi)|Master of the Die, 1530–60

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