High Renaissance — Page 56

1,351 artworks · 1490-1527

The Massacre of the Innocents by Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi)|Agostino Veneziano (Agostino dei Musi)

The Massacre of the Innocents

Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi)|Agostino Veneziano (Agostino dei Musi), ca. 1512–13

Speculum Romanae Magnificentiae: Ornamental foliage from churches by Jacopo Francia|Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)

Speculum Romanae Magnificentiae: Ornamental foliage from churches

Jacopo Francia|Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi), 16th century

Vision of St. Helena [Pensive Woman] by Marcantonio Raimondi|Parmigianino (Girolamo Francesco Maria Mazzola)|Raphael (Raffaello Sanzio or Santi)

Vision of St. Helena [Pensive Woman]

Marcantonio Raimondi|Parmigianino (Girolamo Francesco Maria Mazzola)|Raphael (Raffaello Sanzio or Santi), n.d.

Neptune by Gilles-Antoine Demarteau, after Anicet-Charles-Gabriel Lemonnier, after Raphael

Neptune

Gilles-Antoine Demarteau, after Anicet-Charles-Gabriel Lemonnier, after Raphael, 1787

Portrait of the Duke of Northumberland, Vase and Ornamental Frame, no. CCCLXXI, plate 56 from "Designs for Various Ornaments" by Michelangelo Pergolesi|Pierre Nöel Violet|Ignatius Joseph van den Berghe|Hugh Percy, 1st Duke of Northumberland

Portrait of the Duke of Northumberland, Vase and Ornamental Frame, no. CCCLXXI, plate 56 from "Designs for Various Ornaments"

Michelangelo Pergolesi|Pierre Nöel Violet|Ignatius Joseph van den Berghe|Hugh Percy, 1st Duke of Northumberland, July 26, 1792

Saint Catherine of Alexandria by Raphael (Raffaello Sanzio or Santi)|Durand et Sauvé|Auguste Gaspard Louis Boucher Desnoyers

Saint Catherine of Alexandria

Raphael (Raffaello Sanzio or Santi)|Durand et Sauvé|Auguste Gaspard Louis Boucher Desnoyers, 1824

Frontispiece with oval portrait of Raphael, with three allegorical figures of the Arts supporting the tablet at center by Carlo Maratti|Raphael (Raffaello Sanzio or Santi)|Pietro Aquila|Giovanni Giacomo De Rossi

Frontispiece with oval portrait of Raphael, with three allegorical figures of the Arts supporting the tablet at center

Carlo Maratti|Raphael (Raffaello Sanzio or Santi)|Pietro Aquila|Giovanni Giacomo De Rossi, 1675

Venus riding a conch at left and cowering man (Jason) at right, Eros riding a makeshift boat holding a bow between them by Anonymous, 16th century|Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)

Venus riding a conch at left and cowering man (Jason) at right, Eros riding a makeshift boat holding a bow between them

Anonymous, 16th century|Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi), ca. 1530–50

The Miracle of the Lame Man Healed by Saint Peter and Saint John by Sir Peter Paul Rubens over Anonymous Italian after Parmigianino after Raphael

The Miracle of the Lame Man Healed by Saint Peter and Saint John

Sir Peter Paul Rubens over Anonymous Italian after Parmigianino after Raphael, c. 1606/1608

Vision of a Knight (Le Songe du Chevalier), from "Gazette des Beaux-Arts" by Raphael (Raffaello Sanzio or Santi)|Gazette des Beaux-Arts|Jean-Baptiste Danguin|Alfred Salmon

Vision of a Knight (Le Songe du Chevalier), from "Gazette des Beaux-Arts"

Raphael (Raffaello Sanzio or Santi)|Gazette des Beaux-Arts|Jean-Baptiste Danguin|Alfred Salmon, 1845–94

The Virgin reading with the infant Christ; woman seated in profile facing left and reading with an arm around a child who looks out toward the viewer by Marco Dente|Raphael (Raffaello Sanzio or Santi)|Anonymous, Italian, 16th to early 17th century

The Virgin reading with the infant Christ; woman seated in profile facing left and reading with an arm around a child who looks out toward the viewer

Marco Dente|Raphael (Raffaello Sanzio or Santi)|Anonymous, Italian, 16th to early 17th century, ca. 1515–1600

Three cupids in front of a facade with pilasters, one holding a trident and another a large shell by Raphael (Raffaello Sanzio or Santi)|Anonymous, Italian, 16th to early 17th century|Marco Dente

Three cupids in front of a facade with pilasters, one holding a trident and another a large shell

Raphael (Raffaello Sanzio or Santi)|Anonymous, Italian, 16th to early 17th century|Marco Dente, ca. 1515–1600

The procession of Silenus who is carried on an ass preceeded by a bacchant playing the cymbals and other figures by Agostino Veneziano (Agostino dei Musi)|Giulio Romano|Raphael (Raffaello Sanzio or Santi)

The procession of Silenus who is carried on an ass preceeded by a bacchant playing the cymbals and other figures

Agostino Veneziano (Agostino dei Musi)|Giulio Romano|Raphael (Raffaello Sanzio or Santi), ca. 1531

Portrait of Doña Isabel de Requesens y Enrìques de Cardona-Anglesola (formerly identified as Joanna of Aragon) by Isabel de Requesens y Enrìques de Cardona-Anglesola, Vice-Queen of Naples|Joanna of Aragon, Queen Consort of Naples|Raphael (Raffaello Sanzio or Santi)|Raphael Morghen|Giulio Romano|Pierre Bouillon

Portrait of Doña Isabel de Requesens y Enrìques de Cardona-Anglesola (formerly identified as Joanna of Aragon)

Isabel de Requesens y Enrìques de Cardona-Anglesola, Vice-Queen of Naples|Joanna of Aragon, Queen Consort of Naples|Raphael (Raffaello Sanzio or Santi)|Raphael Morghen|Giulio Romano|Pierre Bouillon, 1821

The Duenna & Little Isaac by William Paulet Carey|John Raphael Smith|John Quick|Jane Green|Richard Brinsley Sheridan|Thomas Rowlandson

The Duenna & Little Isaac

William Paulet Carey|John Raphael Smith|John Quick|Jane Green|Richard Brinsley Sheridan|Thomas Rowlandson, April 1, 1784

The Duenna & Little Isaac by John Quick|William Paulet Carey|Thomas Rowlandson|John Raphael Smith|Richard Brinsley Sheridan|Jane Green

The Duenna & Little Isaac

John Quick|William Paulet Carey|Thomas Rowlandson|John Raphael Smith|Richard Brinsley Sheridan|Jane Green, April 1, 1784

Wide-rimmed bowl depicting figures from Virgil's Aeneid by Maestro Giorgio Andreoli|Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi)|Painter of the Three Graces

Wide-rimmed bowl depicting figures from Virgil's Aeneid

Maestro Giorgio Andreoli|Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi)|Painter of the Three Graces, 1525

Wide-rimmed bowl with figures from Virgil's Aeneid by Maestro Giorgio Andreoli|Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi)|Painter of the Three Graces

Wide-rimmed bowl with figures from Virgil's Aeneid

Maestro Giorgio Andreoli|Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi)|Painter of the Three Graces, 1525

Speculum Romanae Magnificentiae: Sacrifice to Priapus by Antonio Lafreri|Master of the Die|Raphael (Raffaello Sanzio or Santi)|Giulio Romano|Claudio Duchetti

Speculum Romanae Magnificentiae: Sacrifice to Priapus

Antonio Lafreri|Master of the Die|Raphael (Raffaello Sanzio or Santi)|Giulio Romano|Claudio Duchetti, 16th century

Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right by Raphael (Raffaello Sanzio or Santi)|Giulio Romano|Anonymous, Italian, 16th to early 17th century|Marcantonio Raimondi

Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right

Raphael (Raffaello Sanzio or Santi)|Giulio Romano|Anonymous, Italian, 16th to early 17th century|Marcantonio Raimondi, ca. 1520–27

Three cupids in front of a facade with pilasters, one holding a trident and another a large shell by Raphael (Raffaello Sanzio or Santi)|Claudio Duchetti|Anonymous, Italian, 16th to early 17th century|Marco Dente

Three cupids in front of a facade with pilasters, one holding a trident and another a large shell

Raphael (Raffaello Sanzio or Santi)|Claudio Duchetti|Anonymous, Italian, 16th to early 17th century|Marco Dente, ca. 1515–1600

Vauxhall Gardens by Robert Pollard and Francis Jukes after Thomas Rowlandson, published by John Raphael Smith

Vauxhall Gardens

Robert Pollard and Francis Jukes after Thomas Rowlandson, published by John Raphael Smith, 1785

A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c, by Arthur Pond|Charles Knapton|Salvator Rosa|Polidoro da Caravaggio|Domenico Campagnola|Agostino Carracci|Annibale Carracci|Claude Lorrain (Claude Gellée)|Guercino (Giovanni Francesco Barbieri)|Giovanni Francesco Grimaldi|Andrea Mantegna|Giovanni Paolo Panini|Parmigianino (Girolamo Francesco Maria Mazzola)|Nicolas Poussin|Raphael (Raffaello Sanzio or Santi)|Rembrandt (Rembrandt van Rijn)|Giovanni Francesco Romanelli|Giovanni da Udine (Giovanni dei Ricamatori)|Pier Leone Ghezzi|Giacomo Cortese, called il Borgognone|Garofalo (Benvenuto Tisi da Garofalo)|John Boydell|James Basire, the elder

A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,

Arthur Pond|Charles Knapton|Salvator Rosa|Polidoro da Caravaggio|Domenico Campagnola|Agostino Carracci|Annibale Carracci|Claude Lorrain (Claude Gellée)|Guercino (Giovanni Francesco Barbieri)|Giovanni Francesco Grimaldi|Andrea Mantegna|Giovanni Paolo Panini|Parmigianino (Girolamo Francesco Maria Mazzola)|Nicolas Poussin|Raphael (Raffaello Sanzio or Santi)|Rembrandt (Rembrandt van Rijn)|Giovanni Francesco Romanelli|Giovanni da Udine (Giovanni dei Ricamatori)|Pier Leone Ghezzi|Giacomo Cortese, called il Borgognone|Garofalo (Benvenuto Tisi da Garofalo)|John Boydell|James Basire, the elder, 1732–69

Tournament Book of Knightly Acts (Thurnier Buech Warhafftiger Ritterlicher Thaten) by Hans von Francolin|Raphael Hofhalter|Donat Hübschmann|Hanns Lautensack|Johann Schlutpacher de Rauris|Johann Twenger|Francesco Terzio|Giovanni Guerra

Tournament Book of Knightly Acts (Thurnier Buech Warhafftiger Ritterlicher Thaten)

Hans von Francolin|Raphael Hofhalter|Donat Hübschmann|Hanns Lautensack|Johann Schlutpacher de Rauris|Johann Twenger|Francesco Terzio|Giovanni Guerra, 1561

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