High Renaissance — Page 57

1,351 artworks · 1490-1527

Venus in her Chariot from a set of Mythological Subjects after Raphael by Manufacture Nationale des Gobelins|François Bonnemer|Jean Le Febvre the Elder|Raphael (Raffaello Sanzio or Santi)|Francesco Primaticcio|Antoine Coypel

Venus in her Chariot from a set of Mythological Subjects after Raphael

Manufacture Nationale des Gobelins|François Bonnemer|Jean Le Febvre the Elder|Raphael (Raffaello Sanzio or Santi)|Francesco Primaticcio|Antoine Coypel, designed 1686, woven 1689–92

Miss Younge, Mr. Dodd, Mr. Love, and Mr. Waldron, in the Characters of Viola, Sir Andrew Aguecheek, Sir Toby Belch, and Fabian (Shakespeare, Twelfth Night, Act 3, Scene 4) by Francis Godolphin Waldron|Robert Sayer|James Dance|John Raphael Smith|Francis Wheatley|William Shakespeare|James William Dodd|Elizabeth Pope (née Younge)

Miss Younge, Mr. Dodd, Mr. Love, and Mr. Waldron, in the Characters of Viola, Sir Andrew Aguecheek, Sir Toby Belch, and Fabian (Shakespeare, Twelfth Night, Act 3, Scene 4)

Francis Godolphin Waldron|Robert Sayer|James Dance|John Raphael Smith|Francis Wheatley|William Shakespeare|James William Dodd|Elizabeth Pope (née Younge), March 1, 1774

Miss Younge, Mr. Dodd, Mr. Love, and Mr. Waldron, in th Characters of Viola, Sir Andrew Aguecheek, Sir Toby Belch, and Fabian (Shakespeare, Twelfth Night, Act 3, Scene 4) by James Dance|James William Dodd|John Raphael Smith|Francis Wheatley|Robert Sayer|Elizabeth Pope (née Younge)|Francis Godolphin Waldron|William Shakespeare

Miss Younge, Mr. Dodd, Mr. Love, and Mr. Waldron, in th Characters of Viola, Sir Andrew Aguecheek, Sir Toby Belch, and Fabian (Shakespeare, Twelfth Night, Act 3, Scene 4)

James Dance|James William Dodd|John Raphael Smith|Francis Wheatley|Robert Sayer|Elizabeth Pope (née Younge)|Francis Godolphin Waldron|William Shakespeare, March 1, 1774

Sentimens des plus Habiles Peintres sur la Pratique de la Peinture et Sculpture, mis en Tables de Preceptes, avec Plusieurs discours Accademiques by Louis Testelin|Raphael (Raffaello Sanzio or Santi)|Charles Le Brun|Nicolas Poussin|Sébastien Leclerc I|Henri Testelin|La Veuve Mabre-Cramoisy

Sentimens des plus Habiles Peintres sur la Pratique de la Peinture et Sculpture, mis en Tables de Preceptes, avec Plusieurs discours Accademiques

Louis Testelin|Raphael (Raffaello Sanzio or Santi)|Charles Le Brun|Nicolas Poussin|Sébastien Leclerc I|Henri Testelin|La Veuve Mabre-Cramoisy, 1696

Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right by Anonymous, Italian, 16th to early 17th century|Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi)|Giulio Romano|Antonio Salamanca|Nicolaus van Aelst

Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right

Anonymous, Italian, 16th to early 17th century|Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi)|Giulio Romano|Antonio Salamanca|Nicolaus van Aelst, ca. 1520–40

Venus and Adonis from a set of Mythological Subjects after Raphael by Manufacture Nationale des Gobelins|Pierre de Sève the Younger|Jean Jans the Younger|Raphael (Raffaello Sanzio or Santi)|Giulio Romano|Antoine Coypel

Venus and Adonis from a set of Mythological Subjects after Raphael

Manufacture Nationale des Gobelins|Pierre de Sève the Younger|Jean Jans the Younger|Raphael (Raffaello Sanzio or Santi)|Giulio Romano|Antoine Coypel, designed 1686, woven 1686–90

Adonias Imploring the Grace of Solomon or Jeroboam Kneeling before Rehoboam by Charles-Paul-Jean-Baptiste de Bourgevin Vialart de Saint-Morys, after Amico Aspertini (attributed to; formerly after Raphael)

Adonias Imploring the Grace of Solomon or Jeroboam Kneeling before Rehoboam

Charles-Paul-Jean-Baptiste de Bourgevin Vialart de Saint-Morys, after Amico Aspertini (attributed to; formerly after Raphael), c. 1770/1795

    Send Feedback

    We use this only to reply to your feedback.