High Renaissance — Page 55

1,351 artworks · 1490-1527

Plate 11: Bathsheba interceding with David for Solomon, from Genesis 27, after a lost fresco in the basamento of Bay 11 of the Vatican Loggia by Pietro Santi Bartoli|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)

Plate 11: Bathsheba interceding with David for Solomon, from Genesis 27, after a lost fresco in the basamento of Bay 11 of the Vatican Loggia

Pietro Santi Bartoli|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi), 1650–77

The naming of Saint Peter as Head of the Church, after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries by Pietro Santi Bartoli|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi

The naming of Saint Peter as Head of the Church, after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries

Pietro Santi Bartoli|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi, 1650–70

Two Biblical Scenes: Constantine donating the City of Rome to Pope Sylvester at left, after Raphael's Stanza di Eliodoro and The Judgement of Seleucids at right, after Raphael's Stanza della Segnatura, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries by Pietro Santi Bartoli|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi

Two Biblical Scenes: Constantine donating the City of Rome to Pope Sylvester at left, after Raphael's Stanza di Eliodoro and The Judgement of Seleucids at right, after Raphael's Stanza della Segnatura, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries

Pietro Santi Bartoli|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi, 1650–70

Two Biblical Scenes: The Apostles Showing Christ their Swords at left, after Raphael's Stanza della Segnatura and the Pope Celebrates Mass with Four Priests,after Raphael's Stanza di Eliodoro, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries by Pietro Santi Bartoli|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi

Two Biblical Scenes: The Apostles Showing Christ their Swords at left, after Raphael's Stanza della Segnatura and the Pope Celebrates Mass with Four Priests,after Raphael's Stanza di Eliodoro, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries

Pietro Santi Bartoli|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi, 1650–70

Plate 3: God Addressing Noah and his Sons, from Genesis Chapter 3, after a lost fresco in the basamento of Bay 13 of the Vatican Loggia by Pietro Santi Bartoli|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)

Plate 3: God Addressing Noah and his Sons, from Genesis Chapter 3, after a lost fresco in the basamento of Bay 13 of the Vatican Loggia

Pietro Santi Bartoli|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi), 1650–77

Plate 12: The Resurrection, after a lost fresco in the basamento of Bay 13 of the Vatican Loggia by Pietro Santi Bartoli|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)

Plate 12: The Resurrection, after a lost fresco in the basamento of Bay 13 of the Vatican Loggia

Pietro Santi Bartoli|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi), 1650–77

Joseph kneeling in front of the Pharoah, after Raphael's Stanza di Eliodoro, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries by Pietro Santi Bartoli|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi

Joseph kneeling in front of the Pharoah, after Raphael's Stanza di Eliodoro, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries

Pietro Santi Bartoli|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi, 1650–70

Plate 2: Cain and Abel from Genesis Chapter 4, after a lost fresco in the basamento of Bay 2 of the Vatican Loggia by Pietro Santi Bartoli|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)

Plate 2: Cain and Abel from Genesis Chapter 4, after a lost fresco in the basamento of Bay 2 of the Vatican Loggia

Pietro Santi Bartoli|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi), 1650–77

Saint Paul standing before the Proconsul, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries by Pietro Santi Bartoli|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi

Saint Paul standing before the Proconsul, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries

Pietro Santi Bartoli|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi, 1650–70

Paul Preaching at Philippi from a set of Scenes from the Life of Saint Paul by Raphael (Raffaello Sanzio or Santi)|Unidentified Weaver's Mark|Pieter Coecke van Aelst

Paul Preaching at Philippi from a set of Scenes from the Life of Saint Paul

Raphael (Raffaello Sanzio or Santi)|Unidentified Weaver's Mark|Pieter Coecke van Aelst, ca. 1600

Joseph's cup being discovered in Benjamin's sack of grain by Raphael (Raffaello Sanzio or Santi)|Giulio Bonasone|Pietro de' Nobili|Monogrammist PVO

Joseph's cup being discovered in Benjamin's sack of grain

Raphael (Raffaello Sanzio or Santi)|Giulio Bonasone|Pietro de' Nobili|Monogrammist PVO, ca. 1580–90

The Miraculous Draught of Fishes by Anonymous, French, School of Fontainebleau, 16th century|Raphael (Raffaello Sanzio or Santi)

The Miraculous Draught of Fishes

Anonymous, French, School of Fontainebleau, 16th century|Raphael (Raffaello Sanzio or Santi), 1540–50

The Miraculous Draught of Fishes by Anonymous, French, School of Fontainebleau, 16th century|Raphael (Raffaello Sanzio or Santi)

The Miraculous Draught of Fishes

Anonymous, French, School of Fontainebleau, 16th century|Raphael (Raffaello Sanzio or Santi), 1540–50

Allegory of Marriage and Love; Juno in a chariot drawn by peacocks at right,Venus in a chariot drawn by three doves at the left by Anonymous, 16th century|Master of the Die|Raphael (Raffaello Sanzio or Santi)

Allegory of Marriage and Love; Juno in a chariot drawn by peacocks at right,Venus in a chariot drawn by three doves at the left

Anonymous, 16th century|Master of the Die|Raphael (Raffaello Sanzio or Santi), ca. 1540–60

Battle with a Cutlass by Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Giulio Romano

Battle with a Cutlass

Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Giulio Romano, 1530–31

Woman Carring a Vase on Her Head by Agostino Veneziano (Agostino dei Musi)|Giulio Romano|Raphael (Raffaello Sanzio or Santi)

Woman Carring a Vase on Her Head

Agostino Veneziano (Agostino dei Musi)|Giulio Romano|Raphael (Raffaello Sanzio or Santi), 1528

Hercules Strangling the Nemean Lion by Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Giulio Romano

Hercules Strangling the Nemean Lion

Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Giulio Romano, 1528

Abraham's Sacrifice (The Sacrifice of Isaac) by Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Giulio Romano

Abraham's Sacrifice (The Sacrifice of Isaac)

Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Giulio Romano, 1516–18

Chastity, a woman seated, a unicorn to her right by Antonio Salamanca|Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)

Chastity, a woman seated, a unicorn to her right

Antonio Salamanca|Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi), c. 1515–30

Speculum Romanae Magnificentiae: The Altar of Jupiter in the Oldest Temple on the Capitol by Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca

Speculum Romanae Magnificentiae: The Altar of Jupiter in the Oldest Temple on the Capitol

Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca, ca. 1514–36

Speculum Romanae Magnificentiae: The Altar of Eros by Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca

Speculum Romanae Magnificentiae: The Altar of Eros

Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca, ca. 1514–36

Venus Reclining on a Dolphin by Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Giulio Romano

Venus Reclining on a Dolphin

Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Giulio Romano, ca. 1516

Woman Standing near a Vase by Agostino Veneziano (Agostino dei Musi)|Giulio Romano|Raphael (Raffaello Sanzio or Santi)

Woman Standing near a Vase

Agostino Veneziano (Agostino dei Musi)|Giulio Romano|Raphael (Raffaello Sanzio or Santi), ca. 1514–36

Venus and Eros by Agostino Veneziano (Agostino dei Musi)|Giulio Romano|Raphael (Raffaello Sanzio or Santi)

Venus and Eros

Agostino Veneziano (Agostino dei Musi)|Giulio Romano|Raphael (Raffaello Sanzio or Santi), 1516

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