Art Institute of Chicago — Page 205
57,907 browsable artworks
Study of the Crescent Moon in "The Ship"
William Holman Hunt, c. 1875
My Beautiful Lady (top); Of My Lady in Death (bottom), frontispiece to The Germ, No. 1
William Holman Hunt, 1850
The Abundance of Egypt
William Holman Hunt, 1857
Longevity: Wo Quan (Ju, Akusen), from an untitled series of happiness, prosperity, and longevity
Yashima Gakutei, c. 1824
Valley of Aosta: Snowstorm, Avalanche, and Thunderstorm
Joseph Mallord William Turner, 1836–37
Usugumo, from the series "Framed Pictures of Women for the Katsushika Circle (Katsushikaren gakumen fujin awase)"
Yashima Gakutei, c. 1822
Bowl, scissors, and morning glories
Yashima Gakutei, c. 1820
Kennet
William Morris, Design 1883, made 1887
Cray
William Morris, Design 1884, made 1884–1917
Kogo no Tsubone, from the series "Framed Pictures of Women for the Katsushika Circle (Katsushikaren gakumen fujin awase)"
Yashima Gakutei, c. 1822
Saul and the Witch of Endor
William Sharp, 1788
Martello Towers Near Bexhill, Sussex, plate 34 from Liber Studiorum
Joseph Mallord William Turner, published June 1811
Hillside with Trees
William Morris Hunt, 1872–78
Girl
William Mulready, n.d.
The Shadow of Death
William Holman Hunt, 1878
The Fortune Teller
William Morris Hunt, 1857
Ville de Thun, plate 59 from Liber Studiorum
Joseph Mallord William Turner, published January 1, 1816
Two Chinese Women Examining Thread and a Spider’s Web in a Box, from the series "Diptych for the Drum Group"
Yashima Gakutei, c. 1824
Lin Hejing (Rin Nasei) with Crane
Yashima Gakutei, 19th century
Comedy
William Marshall Craig, 1804
The Woman and Tambourine, plate 3 from Liber Studiorum
Joseph Mallord William Turner, published 1807
Plate Two, from The Analysis of Beauty
William Hogarth, 1756/61
Saul and the Witch of Endor
William Sharp, 1788
Plate Six, from A Rake's Progress
William Hogarth, June 1735