Horses in Art — Page 13

Plate

William Adams, 19th century

Healing Scroll

Interior of a German Battleship

Unsen, 19th century

Horse Accomplishments, Sketch 1: An Astronomer !!

Thomas Rowlandson|Rudolph Ackermann, London|George Murgatroyd Woodward, August 1, 1799

The Judgment of Paris

baron François Gérard, ca. 1804–12

Cut Six, and Sword Arm Protect

Henry Angelo|Thomas Rowlandson, September 1, 1798

Left Protect

Henry Angelo|Thomas Rowlandson, September 1, 1798

On the Right to the Front, Parry, against Infantry

Henry Angelo|Thomas Rowlandson, September 1, 1798

Postilion on Horse in a Winter Landscape

Wilhelm von Kobell, ca. 1798

The Chase

James Sibbald|Thomas Rowlandson, December 1, 1791

Prince Arthur Giving Welcome to the Archduke of Austria, etc. (Shakespeare, King John, Act 2, Scene 1)

James Birchall|William Hamilton|John Ogborne|William Shakespeare, 1791

Plate 6, Outlines of Figures, Landscapes and Cattle...for the Use of Learners

S. W. Fores|Thomas Rowlandson, June 20, 1790

A Military Convoy Surprised by an Explosion

Dirk Langendijk, ca. 1790–1800

The Post Horse (from The Life of a Racehorse, or The High-Mettled Racer)

S. W. Fores|John Hassell|Thomas Rowlandson, July 20, 1789

A Fair – A Group of Gypsies – Men and Women in Rustic Clothes in Front of Two Makeshift Tents

Thomas Rowlandson|Francis Wheatley, 1786

Handkerchief

"Pleasures of the Four Seasons"

Oberkampf Manufactory|Jean-Baptiste Huet I, ca. 1785

The Four Times of Day: Le Matin

Jean-Baptiste Huet I|Gilles Demarteau, 1776

Equestrian Portrait of Napoleon

Auvrest, n.d.

The Three Windmills (Les Trois Moulins) after a painting in the collection of the Duc de Praslin

Balthasar Anton Dunker|Jacques Philippe Le Bas|Jan Brueghel the Elder, 1772

A King and a Horse with Ghostly Women

William Hamilton, 1770–80

Landscape with a Horse Held by a Page

Giovanni Domenico Tiepolo, after 1770

Sampler

Vignette (Tome I.er, page 164, lib. II, fab. 15), depicting Cephalus and Aurora, from "Les Métamorphoses d'Ovide en Latin et en François de la traduction de M. l'Abbé Banier de l'Académie Royale des Inscriptions et Belles-Lettres. Avec des explications historiques. A Paris Chez Despilly rue saint Jacques à la croix d'or. MDCCLXVII. Avec Approbation et Privilège du Roi"

François Boucher|Augustin de Saint-Aubin|Ovid|Abbé Banier|Chez Despilly, ca. 1765

Two churches near Trajan's column, S. Maria di Loreto and Santissimo Nome di Maria (Veduta delle due chiesa, l'una detta della Madonna di Loreto, l'altra del nome di Maria, presso la Colonna Trajana)

Giovanni Battista Piranesi, ca. 1762

Standing cup with cover

Lauenstein Manufactory, ca. 1760

Bridge over a Cascade

Hubert Robert

Cavalier and Shepherd

Francesco Casanova

Scene from the Drama "Sazareishi Suehiro Genji"

Torii Kiyomasu I, 12th month, 1743 or 1st month, 1744

Fall of Antiochus From His Chariot

Noël Hallé, 1739

Folding fan with The Finding of Romulus and Remus

Saint Daniel of Padua dragged by a horse before the Roman governor of Padua

Tiziano Aspetti|Francesco Bertos, ca. 1740–50

The Battle of Vercellae

Giovanni Battista Tiepolo, 1725–29

Hudibras Triumphant (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 4)

William Hogarth|Samuel Butler, 1725–68

Plate Eleven from Nouveavx Desseins D'Arquebvseries

Gilles Demarteau, ca. 1749

Knife Handle (Kozuka)

Portrait of Maria Theresa, queen of Hungary and Bohemia, on horseback

Anonymous, French, 18th century, 18th century

Powder horn

Vincennes Manufactory, 18th–19th century

Badge of the Order of the Garter

Tsong Khapa

Piece

Venus Disguised as a Huntress Appears to Aeneas (Aeneid I: 305 ff.)

Stefano Pozzi, 1699–1768

Illustration for a Book: Reception of a Bishop Leading an Army at a City Gate

Giovanni Battista Tiepolo, 1696–1770

A Reconstruction of the Arch of Septimius Severus

Jan Goeree, before 1704

View of the Ruins of the Palatine Hill

Jan Goeree, before 1704

The Triumph of David, from a fan by Jacques Callot

Jacques Callot|Balthazar Moncornet|Charles Nicolas Cochin I

Pluto, seen from behind, entering the Underwold on his chairot, Cereberus and three Furies to right, from 'Giove che fulmina li giganti', after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua

Pietro Santi Bartoli|Giulio Romano, ca. 1680

Battle Scene

Johannes Lingelbach, 1671