High Renaissance — Page 53

The Vintage; a man pouring grapes from a basket into a vat, above Bacchus sitting, other figures at left

Marcantonio Raimondi|Giovanni Francesco Penni|Raphael (Raffaello Sanzio or Santi), ca. 1517–20

The Blinding of Elymas

Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi), 1516

Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above

Giovanni Marco Paluzzi|Marco Dente|Raphael (Raffaello Sanzio or Santi), ca. 1515–27

Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above

Marco Dente|Raphael (Raffaello Sanzio or Santi)|Giovanni Marco Paluzzi, ca. 1515–27

The three holy women going to the sepulchre

Raphael (Raffaello Sanzio or Santi)|Agostino Veneziano (Agostino dei Musi), ca. 1514–36

Saint Michael

Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi), ca. 1514–16

Blind Homer

Jean-Baptiste-Raphael-Urbain Massard, after Baron François Gerard, 1816

Madonna della seggiola

Charles B. J. Févret de Saint-Mémin, after Raphael, c. 1795

Love in Her Eyes Sits Playing

John Raphael Smith after The Reverend Matthew William Peters, 1778

God Appearing to Noah

School of Marcantonio Raimondi, after Marcantonio Raimondi, after Raphael, c. 1515/1520

Methode pour apprendre le dessein..

Charles Antoine Jombert|Charles Antoine Jombert|Raphael (Raffaello Sanzio or Santi)|Charles Nicolas Cochin II|Titian (Tiziano Vecellio)|Charles Le Brun|J. F. Poletnich|Charles Nicolas Cochin I|Guido Reni|Nicolas Gabriel Dupuis, 1755

The Sistine Madonna

Johann Friedrich Wilhelm Müller|Raphael (Raffaello Sanzio or Santi)|Rittner|Seidelmann, n.d.

Miss Lydia Hone – "Her beauty hangs on the Cheek of Night, like a rich Jewel in an Ethiop's Ear"

John Raphael Smith|Nathaniel Hone|R. Marshall|Lydia Hone|William Shakespeare, November 30, 1771

The Ascension

Michiel Coxie (I)|Unknown|Raphael (Raffaello Sanzio or Santi)|Albrecht Dürer, 1540–45

The coronation of the Virgin, God the Father above, St Jerome lower right and St John the Baptist lower left

Master of the Die|Raphael (Raffaello Sanzio or Santi)|Antonio Lafreri, 1530–60

Apollo in his horse-drawn chariot at the left, above him above Jupiter hurls a thunderbolt, Venus at right in her chariot drawn by animals, from "Story of Apollo and Daphne"

Master of the Die|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca, 1530–60

Aeneas carrying Anchises on his shoulders while Troy burns in the background

Master of the Die|Raphael (Raffaello Sanzio or Santi)|Philippe Thomassin, 1530–60

A monkey holding a bound putto standing on a garland in front of which are two winged putti, from a series of tapestries made for Leo X

Master of the Die|Antonio Lafreri|Raphael (Raffaello Sanzio or Santi), 1530–60

Aeneas carrying Anchises on his shoulders while Troy burns in the background

Philippe Thomassin|Master of the Die|Raphael (Raffaello Sanzio or Santi), 1530–60

Apollo seated at the right with a lyre, pointing to a kneeling man who is about to flay Marsyas tied naked to a tree at left

Philippe Thomassin|Master of the Die|Raphael (Raffaello Sanzio or Santi), 1530–60

Plate 30: Cupid and Psyche plead their cases before the Gods, from the 'Fable of Cupd and Psyche'

Raphael (Raffaello Sanzio or Santi)|Master of the Die|Antonio Salamanca, 1530–60

Assembly of the Gods after the ceiling composition in the Loggia di Psiche, Villa Farnesina, Rome

Giovanni Jacopo Caraglio|Giovanni Francesco Penni|Raphael (Raffaello Sanzio or Santi), 1527

Speculum Romanae Magnificentiae: Bacchus Surrounded by Putti with Priapus holding back the curtain

Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca|Master of the Die, 16th century

Speculum Romanae Magnificentiae: The Triumph of Scipio

Master of the Die|Raphael (Raffaello Sanzio or Santi)|Antonio Lafreri, 16th century