Drawings and Prints — Page 106

Les Visites, Musée Grotesque, No. 21

Aaron Martinet|Anonymous, French, 19th century, early 19th century

Design for a Candelabra

Anonymous, Italian, early 19th century, early 19th century

Reliquary Design

Anonymous, French, 19th century, 19th century

verso: Design for an urn; recto: Designs for two urns

Anonymous, French, 19th century, 19th century

Mary, Queen of Scots

Mary, Queen of Scots|Edward Scriven, early 19th century

Chrysogone Conceives, in a Ray of Sunshine, Amoretta and Belphoebe (Edmund Spenser, "The Faerie Queene, III, vi)

Henry Fuseli, 1800–1810

View of the Bargello Courtyard in Florence

S. Cecchi, 19th century

Caricature of Charles-Henri Plantade (?)

Horace Vernet, 19th century

Design for large fireplace white tiles produced in Wedgwood's factory

John Flaxman, 19th century

Veneration (Le Brun Travested, or Caricatures of the Passions)

George Murgatroyd Woodward|Rudolph Ackermann, London|Thomas Rowlandson, January 21, 1800

Advertisement for John Swain & Son, Photo Process Engravers in "The British Printer"

Anonymous, British, 19th century, 19th century

Design for a Painted Ceiling

Anonymous, Italian, 19th century, 1800–1900

Trade Card for Edward Palmer, Glyphographic Printer and Engraver

Alfred Ashley, 19th century

Two Low Tables with Ornamental Objects

Anonymous, Chinese, 19th century, 19th century

Street Scene from Vanity Fair, with Amelia, George Osborne and Dobbin (recto); Sketch of Young Woman (verso)

William Makepeace Thackeray|Jerry Barret, 1800–1819

Design for a Bookstand

Anonymous, British, 19th century, early 19th century

Two designs for ornamental plaques

Anonymous, French, 19th century, 19th century

Design for a Sofa with Two Loose Cushions

Anonymous, British, 19th century, early 19th century

Mary, Queen of Scots

Mary, Queen of Scots|Robert Cooper, early 19th century

Design for a Triumphal Bridge

Joseph Lemercier, 19th century

Title page, from "Remarks on a Tour to North and South Wales, in the year 1797"

Henry Wigstead|John Hill|W. Wigstead|Thomas Rowlandson, 1800

Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

Goya (Francisco de Goya y Lucientes), 1799

Footman

Rudolph Ackermann, London|Thomas Rowlandson|George Murgatroyd Woodward, August 30, 1799

Langollen, from "Remarks on a Tour to North and South Wales, in the year 1797"

Henry Wigstead|John Hill|Thomas Rowlandson|W. Wigstead, September 1, 1799

Grotesque Borders for Screens, Billiard Rooms, Dressing Rooms, &c &c

Thomas Rowlandson|George Murgatroyd Woodward|Rudolph Ackermann, London, 1799–1800

Plate 1 from "Los Caprichos": Self-portrait

Goya (Francisco de Goya y Lucientes)|Goya (Francisco de Goya y Lucientes), 1799

Plate 38 from "Los Caprichos": Bravo! (Brabisimo!)

Goya (Francisco de Goya y Lucientes), 1799

Plate 5 from "Los Caprichos": Two of a kind (Tal para qual)

Goya (Francisco de Goya y Lucientes), 1799

A Magic Lantern

Thomas Rowlandson|Henri Merke|Rudolph Ackermann, London, January 30, 1799

Plate 62 from "Los Caprichos": Who would have thought it? (Quien lo creyera!)

Goya (Francisco de Goya y Lucientes), 1799

Grotesque Borders for Screens, Billiard Rooms, Dressing Rooms, &c &c

Rudolph Ackermann, London|George Murgatroyd Woodward|Thomas Rowlandson, 1799–1800

Plate 30 from "Los Caprichos": Why hide them? (Porque esconderlos?)

Goya (Francisco de Goya y Lucientes), 1799

Horse Accomplishments, Sketch 1: An Astronomer !!

Thomas Rowlandson|Rudolph Ackermann, London|George Murgatroyd Woodward, August 1, 1799

Plate 35 from "Los Caprichos": She fleeces him (Le descañona)

Goya (Francisco de Goya y Lucientes), 1799

Horse Accomplishments, Sketch 9: A Loiterer !!

Thomas Rowlandson|Rudolph Ackermann, London|George Murgatroyd Woodward, August 1, 1799

Plate 22 from "Los Caprichos": Poor little girls! (Pobrecitas!)

Goya (Francisco de Goya y Lucientes), 1799

Study for "A charm for democracy, reviewed, analyzed, and destroyed January 1, 1799" (recto and verso)

Thomas Rowlandson|Charles Howard, 11th Duke of Norfolk|Francis Russell, 5th Duke of Bedford|John Horne Tooke|Dr. Samuel Parr|Rev. Joseph Towers|Edward Smith-Stanley, 12th Earl of Derby, 1799

No. 6: Purser

Thomas Rowlandson|Henri Merke|Rudolph Ackermann, London, February 15, 1799

Plate 15 from 'Los Caprichos': A pretty piece of advice (Bellos consejos)

Goya (Francisco de Goya y Lucientes), 1799

Plate 10 from "Los Caprichos": Love and death (El amor y la muerte)

Goya (Francisco de Goya y Lucientes), 1799

Plate 50 from "Los Caprichos": The Chinchillas (Los Chinchillas)

Goya (Francisco de Goya y Lucientes), 1799

Connoisseurs

Thomas Rowlandson|S. W. Fores, June 20, 1799

An Irish Howl

Thomas Rowlandson, March 1, 1799

Plate 76 from "Los Caprichos": You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Como digo..eh! Cuidado! si no...)

Goya (Francisco de Goya y Lucientes), 1799

Wood-Nymphs (The Discovery)

Giovanni Battista Cipriani|Thomas Rowlandson, 1799

Attorney

George Murgatroyd Woodward|Thomas Rowlandson|Rudolph Ackermann, London, September 10, 1799

Study for an Arched Alcove with a Canapé

Anonymous, French, 19th century, ca. 1804–10

The Judgment of Paris

baron François Gérard, ca. 1804–12