Architecture in Art — Page 57

Design for an Altar or Wall Tomb in a Blue-Gray Stone

Anonymous, Flemish, 17th century

Sheet 6: Men carrying trophies, from "The Triumph of Julius Caesar"

Andrea Andreani|Andrea Mantegna|Bernardo Malpizzi, 1599

Design for an Architectural Structure with a Hunting Theme , Plate 74 from Dietterlin's Architettura

Wendel Dietterlin, the Elder, 1598

Pietà (Design for an Altar)

Peter Candid (Pieter de Witte, Pietro Candido), ca. 1590–1600

Speculum Romanae Magnificentiae: Arch of Septimius Severus

Anonymous, Italian, 16th century|Claudio Duchetti, 1583

Speculum Romanae Magnificentiae: Arch of Constantine

Antonio Lafreri|Anonymous|Claudio Duchetti, 1583

Speculum Romanae Magnificentiae: Column of Trajan

Paolo Graziani|Pietro de' Nobili|Antonio Lafreri|Anonymous, 1582

Speculum Romanae Magnificentiae: The Septizodium

Giovanni Ambrogio Brambilla|Claudio Duchetti, 1582

Speculum Romanae Magnificentiae: Castrum

Giovanni Ambrogio Brambilla|Claudio Duchetti, 1581

Speculum Romanae Magnificentiae: Ornithon Sive Aviarum

Pirro Ligorio|Giovanni Ambrogio Brambilla|Claudio Duchetti, 1581

Scheme for an Architectural Decoration with a Standing Male Figure in a Niche

Fabrizio Boschi, 1572–1642

Grande Salle du Palais de Justice (The Great Hall in the Palace of Justice, Paris)

Jacques Androuet Du Cerceau, ca. 1576–80

Speculum Romanae Magnificentiae: View of the Roman Capitol

Etienne DuPérac, 1569

Speculum Romanae Magnificentiae: Temple of Antoninus and Faustina

Antonio Lafreri|Anonymous, 1565

Cœnotaphiorum (13)

Hans Vredeman de Vries|Johannes van Doetecum I|Lucas van Doetecum|Hieronymus Cock, 1563

Speculum Romanae Magnificentiae: Sepulchre of Julius II

Anonymous|Antonio Salamanca, 1554

Two Terms, Two Cornices and a Pillar

Hugues Sambin, 1554

The Amphitheater in Bordeaux [Teatrum Bordeos; Transitorium Caesaris], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'

Monogrammist G.A. & the Caltrop|Lambert Suavius|Gerard de Jode, 1554

Landscape

Hanns Lautensack, 1553

Speculum Romanae Magnificentiae: Circus Flaminius

Nicolas Beatrizet|Pirro Ligorio|Michele Tramezzino, 1553

Elevation of Giulio Romano's House (recto); the Ruins from the Caelius Aqueduct and Temple of Claudius in Rome (verso)

Giovanni Battista Naldini, ca. 1557

Speculum Romanae Magnificentiae: Stazzi Palace

Anonymous|Antonio Lafreri, 1549

Speculum Romanae Magnificentiae: Porta Maggiore

Anonymous|Antonio Lafreri, 1549

Speculum Romanae Magnificentiae: House of Raphael

Anonymous|Antonio Lafreri, 1549

Horizontal Panel with a Bearded Amascaron in a Medallion at Center Surrounded by Tendrils

Sebald Beham, 1543

Avarice, from "Seven Deadly Sins"

Léon Davent|Luca Penni, ca. 1547

Exterior and interior section of a temple in Rome dedicated to Neptune

Antonio Salamanca|Giulio Bonasone, 1541

The Arch of Titus Speculum Romanae Magnificentiae)

Anonymous|Antonio Salamanca, ca. 1540–60

Cassandra Stopping Deiphobus from Killing Paris

Jean Mignon|Luca Penni, 1535–55

Rinaldo Robbed, Standing in front of the Widow's House, from The Decameron

Hans Schäufelein|Giovanni Boccaccio|Heinrich Steiner, before 1534

Speculum Romanae Magnificentiae: Theater of Marcellus

Pirro Ligorio|Michele Tramezzino, 16th century

Tenplum Iovis Ultoris, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity

Monogrammist G.A. & the Caltrop, Plate ca. 1530–1550

Plate 19: Ceres at right, leaning on a pedestal, refusing to assist Psyche, from "The Story of Cupid and Psyche as told by Apuleius"

Antonio Salamanca|Master of the Die|Michiel Coxie (I), 1530–60

Speculum Romanae Magnificentiae: The Coloseum

Anonymous, 16th century

Speculum Romanae Magnificentiae: Front of a Building seen sideways through an arcade of four arches on its left front.

Anonymous, 16th century

Speculum Romanae Magnificentiae: Wooden Framework to Support Arches in a Building

Jacob Bos|Antonio Lafreri, 16th century

Speculum Romanae Magnificentiae: The Pantheon

Anonymous|Nicolas Beatrizet, 16th century

Speculum Romanae Magnificentiae: Interior, showing an underground chamber reached by two flights of stairs, one on each side; niches on the landing above.

Anonymous, 16th century

Speculum Romanae Magnificentiae: Octagonal Temple with a dome, surmounted by a domed turret, crowned with an eagle

Anonymous, 16th century

Speculum Romanae Magnificentiae: Interior and ground plan of an ogtagonal temple

Anonymous, 16th century

Speculum Romanae Magnificentiae: The Main Doorway of the Palazzo della Cancellaria

Anonymous, 16th century

Speculum Romanae Magnificentiae: Alberini Palace

Anonymous|Donato d'Agnolo Bramante, 16th century

Speculum Romanae Magnificentiae: Arch of Gallienus

Anonymous, 16th century

Recto: Temple Types: in Antis and Prostyle (Vitruvius, Book 3, Chapter 2, nos. 2, 3); Verso: Temple Types: Peripteral (Vitruvius, Book 3, Chapter 2, no. 5).

Sangallo family|Marcus Pollio Vitruvius, 1530–45

Tem. Ro. Penatibus Dicatu, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity

Monogrammist G.A. & the Caltrop, Plate ca. 1530–1550

Speculum Romanae Magnificentiae: The Temple of Fortune in Rome

Nicolas Beatrizet, 16th century

Speculum Romanae Magnificentiae: The Colosseum

Antonio Lafreri|Anonymous, 16th century

Recto: Front Elevation of a Roman Temple in Ruins (inspired by Giuliano da Sangallo); Verso: Elevation of the Nave of a Roman Basilica in Ruins (? the Basilica Giulia, inspired by Giuliano da Sangallo).

Sangallo family|Marcus Pollio Vitruvius, 1530–45