Drawings and Prints — Page 131

The Immaculate Conception

Lorenzo Tiepolo|Giovanni Battista Tiepolo, ca. 1770

Design for a Book Illustration

Franz Sigrist, late 18th century

Saint Charles Borromeo Venerating the Crucifix

Lorenzo Tiepolo|Giovanni Battista Tiepolo, ca. 1770

Design for Frame with Ecclesiastical Motifs

Johann Oktavian Salver, 1750–88

The Entry of the Baron of Caprice to the Home of Miss Favors (Entré du Baron du Caprice chez Melle des Faveurs)

Anonymous, French, 18th century, second half 18th century

Tempio di Sant'Andrea, Via Flaminia, from "Vues de Rome"

Jérôme Charles Bellicard, 1750

A Blot-Lake with Boat, Surrounded by Trees

Alexander Cozens, 1750–86

Landscape with a Goatherd and a Drover

Charles François César Le Tellier, Marquis Montmirail, mid-18th century

Design for a Trompe L'Oeil Ceiling

Flaminio Innocenzo Minozzi, ca. 1750–60

Design for Altar Decorations for a Liturgical Celebration

Anonymous, Italian, Piedmontese, 18th century, 1750–75

Portrait of Henry IV

Pierre Philippe Choffard|Hubert François Gravelot, n.d.

Head of an Angel or Child

Louis Marin Bonnet|Charles Joseph Natoire, mid to late 18th century

The Pleasures of the Countryside

Louis Marin Bonnet|Jean-Baptiste Le Prince, mid to late 18th century

Departure for the Sabbath

David Teniers the Younger|baron Dominique Vivant Denon

A Woman Standing next to a Chair

Nicolaas Muys, n.d.

Design for a Ceiling in the Manner of Pergolesi

Anonymous, British, 18th century, late 18th century

Vedute di Roma (Views of Rome), part I

Giovanni Battista Piranesi, ca. 1750–78

Drawing for an Interior

Giovanni Larciani ("Master of the Kress Landscapes"), 1750–1800

Design for a Ceiling Decoration, Plate 4 from 'Unterschiedliche neu inventierte Deken oder Plafond'

Martin Engelbrecht|Jeremias Wachsmuth, Printed ca. 1750–56

Design for a Firescreen with Picnic Scene and Playing Cards

Eugène Charpentier, Late 18th century

Studies of draped female and male figures; verso: Studies of draped female figures

Bartholomaeus Ignaz Weiss, 18th–early 19th century

View of Bad Schandau at the River Elbe with the Winterberg

Adrian Zingg, late 18th–early 19th century

Portrait of Mme. Anne-Henriette de France

François Xavier Vispré|Jean Etienne Liotard, 1750

Seated Male Nude Holding a Staff

Franz Xaver Messerschmidt, mid-18th–late 18th century

Project for a Public Monument

Alexandre Théodore Brongniart, n.d.

Design for a Pulpit, Plate 2 from an Untitled Series of Pulpit Designs

Martin Engelbrecht, Printed ca. 1750–56

Christ confounding the doctors

Andrea Scacciati|Giovanni Battista Moroni, 1750–70

An old woman holding a mousetrap while a young girl holds a string attached to its tail

Antonio Marinetti|Niccolò Cavalli, 1750–80

Ceiling Design with the Mystical Wine Press

Johann Georg Dieffenbrunner|Franz Sigrist, ca. 1750

Design for a Monumental Altar, Plate i from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'

Johann Michael Leüchte|Martin Engelbrecht, Printed ca. 1750–56

View of the Flavian Amphitheater, called the Colosseum, from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi, ca. 1750–78

Various Designs for Rocaille Ornaments, Plate 4 from: 'Fortsezung von unterschielichen Auszierungen zu allerleij nüzlich anzuwenden'

Martin Engelbrecht|Jeremias Wachsmuth, Printed ca. 1750–56

Trade card for R Cribb & Son, Publisher and Printmaker

Boyne, late 18th–early 19th century

Coronation of the Virgin

Giovanni Battista Moroni|Andrea Scacciati, 1750–70

Effect of Thunder

Bertaud|Joseph Vernet, ca. 1755–85

Design for a Doric Porch, Plan and Elevation

Robert Adam, second half 18th century

Vue de la Foire de Bezons

Gabriel de Saint-Aubin, 1750

Sarah Malcolm

William Hogarth|Sarah Malcolm, late 18th–19th century

Design for a Pulpit

Louis Gustave Taraval, 18th century

Le Petit Predicateur

Jean Honoré Fragonard|Nicolas de Launay|Nicolas de Launay, 18th century

Portrait of an Elegant Lady

Frans van der Mijn, 1750–70

The Cheerful Cupids

Jean Daullé|François Boucher, 1750

Virgin and Child

Giuseppe Cades, 1750–99

A Jacobean Country House with 18th century alterations (recto); Spired Country Church (verso)

Anonymous, British, late 18th–early 19th century, 18th–19th century

The Rat Catcher

James Bretherton|Rembrandt (Rembrandt van Rijn), second half 18th century

Bacchanal: Arrival at the Wine Vat

Joseph Marie Vien, ca.1755

A Sketch (Portrait of George Stubbs)

James Bretherton|Thomas Orde, Lord Bolton|George Stubbs, second half 18th century

Design for a Cartouche and Representation of 'Sight', Plate 2 from 'Neu Inventierte auf die artigste Facon Sehr nutzliche Schild.'

Johannes Rumpp|Johann Georg Pintz|Martin Engelbrecht, Printed ca. 1750–56